Our Selves: Photographs by Women Artists

我们的自我：女艺术家的照片

●产品信息——

出版社：The Museum of Modern Art, New York; 1st edition (28 April 2022)

语言：English

Hardcover：152 页

ISBN-10：163345133X

ISBN-13：9781633451339

尺寸：23.5 x 1.91 x 27.31 cm

（页面信息仅供参考，具体以实物为准）

●内容简介——

该出版物与现代艺术博物馆2022年开幕的展览结合构思，重点关注一件特殊的礼物，108张照片来自现代艺术博物馆摄影委员会的杰出成员Helen Kornblum的收藏。该出版物将突出这一重要的收购，这有助于博物馆通过扩大女性艺术家的存在，不断努力研究和反思20世纪艺术史叙事。与展览一样，本书将围绕主题分组，按时间顺序排列，每个主题都以简短的文本开头。特别关注的主题包括:画家肖像、超现实主义探索、艺术家肖像、社会纪实、广告、摄影与语言、新闻摄影、性别与媒体、静物与家庭生活、相机表演，以及将相机作为个人艺术表达的手段。

从现代主义者如Claude Cahun和Yva到当代摄影师Catherine Opie，本卷中的许多作品引发了关于queer主体性的对话。土著艺术家如Cara Romero和Hulleah Tsinhnahjinnie和非土著实践者如Graciela Iturbide、Sharon Lockhart、Meridel Rubenstein、Tatiana Parcero和Tracey Moffatt都在摄影项目中探讨了与殖民历史和土著有关的主题。洛娜(Lorna Simpson)和凯莉•梅•韦姆斯(Carrie Mae Weems)就种族和性别的关系提出了独特的女权主义非洲侨民观点。《我们的自我》展示了一系列上升到我们当前时刻的新视角，解决了艺术中更多交叉对话的迫切需要。

Conceived in conjunction with an exhibition opening at The Museum of Modern Art in 2022, this publication focuses on an exceptional gift of 108 photographs by women artists from the collection of Helen Kornblum, distinguished member of MoMA’s Committee on Photography. The publication will highlight this significant acquisition, which contributes to the Museum’s continuous effort to research and rethink twentieth century art history narratives by amplifying the presence of women artists. Like the exhibition, the book will be structured around thematic groupings, arranged chronologically, and each prefaced by a short text. Special attention will be devoted to topics such as: pictorialist portraiture, surrealist explorations, portraits of artists, the social documentary, advertising, photography and language, photojournalism, gender and the media, still life and domesticity, performance for the camera, and to the camera as a means of personal artistic expression.

From modernists such as Claude Cahun and Yva to contemporary photographer Catherine Opie, many of the works in this volume elicit conversations about queer subjectivity. Themes related to colonial history and indigeneity are addressed in photographic projects by both Native artists such as Cara Romero and Hulleah Tsinhnahjinnie, and non-Native practitioners including Graciela Iturbide, Sharon Lockhart, Meridel Rubenstein, Tatiana Parcero, and Tracey Moffatt. Lorna Simpson and Carrie Mae Weems offer uniquely feminist African-diasporic viewpoints on the relationship of race and gender. Our Selves presents a series of new perspectives that rise to our current moment, addressing the urgent need for more intersectional conversations in the arts.