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Michelangelo Pistoletto: The Minus Objects 1965-1966 / 米开朗基罗·皮斯特莱托:减物 1965-1966

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Michelangelo Pistoletto: The Minus Objects 1965-1966 / 米开朗基罗·皮斯特莱托:减物 1965-1966 商品图0
Michelangelo Pistoletto: The Minus Objects 1965-1966 / 米开朗基罗·皮斯特莱托:减物 1965-1966 商品图1
Michelangelo Pistoletto: The Minus Objects 1965-1966 / 米开朗基罗·皮斯特莱托:减物 1965-1966 商品图2
Michelangelo Pistoletto: The Minus Objects 1965-1966 / 米开朗基罗·皮斯特莱托:减物 1965-1966 商品图3
Michelangelo Pistoletto: The Minus Objects 1965-1966 / 米开朗基罗·皮斯特莱托:减物 1965-1966 商品缩略图0 Michelangelo Pistoletto: The Minus Objects 1965-1966 / 米开朗基罗·皮斯特莱托:减物 1965-1966 商品缩略图1 Michelangelo Pistoletto: The Minus Objects 1965-1966 / 米开朗基罗·皮斯特莱托:减物 1965-1966 商品缩略图2 Michelangelo Pistoletto: The Minus Objects 1965-1966 / 米开朗基罗·皮斯特莱托:减物 1965-1966 商品缩略图3

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书名:Michelangelo Pistoletto: The Minus Objects 1965-1966 / 米开朗基罗·皮斯特莱托:减物 1965-1966
定价:368.0
ISBN:9783791356785
作者:Peter Pakesch
版次:1
出版时间:2017-08

内容提要:

题 目:Michelangelo Pistoletto: The Minus Objects 1965-1966 / 米开朗基罗·皮斯特莱托:减物 1965-1966

作 者:Peter Pakesch

出 版:Prestel,2017

装 帧:精装,184页

尺 寸:22.8*26.6 cm

 

 

This monograph explores the origins and impact of Michelangelo Pistoletto’s seminal body of work the Minus Objects (Oggetti in meno), which is considered fundamental to the birth of the Arte Povera movement. Four years after his iconic mirror paintings catapulted him to international acclaim, Michelangelo Pistoletto took an abrupt left turn with his series, the Minus Objects. Comprised of 28 disparate objects―an oversize cardboard rose; an industrial lamp casting green light; a minimalist iron sculpture―the Minus Objects break with the notion of a signature style and are symbolic of infinite creative possibilities. As an ensemble, it minimizes the role of authorship, permitting each enigmatic object to speak for itself as autonomous and self-sufficient. Pistoletto is one of Italy’s most important and influential artists, and this book celebrates the creation of the Minus Objects as a radical turning point in postwar sculpture and conceptual art. The installation is represented in double-page spreads and the entire volume is designed to appear as a discrete object itself. Along with Pistoletto’s original artist statement and transcripts of conversations about his work, this volume brings together critical analyses from some of the leading voices of the contemporary art world. Together, the images and texts in this book serve to position the Minus Objects as a work of stunning originality and historical significance.

















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Michelangelo Pistoletto: The Minus Objects 1965-1966 / 米开朗基罗·皮斯特莱托:减物 1965-1966

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