书名：The Repeating Image: Multiples in French Painting from David to Matisse / 重复的图像：从大卫到马蒂斯的法国绘画中的多元性
定价：350.0
ISBN：9780300126693
作者：Stephen Bann
版次：1
出版时间：2007-01

内容提要：

书名：The Repeating Image: Multiples in French Painting from David to Matisse / 图像的重复：从大卫到马蒂斯的法国绘画中的多元性

作者：Edited by Eik Kahng

出版：Yale University Press，2007

ISBN：9780300126693

装帧：精装，200页36幅黑白图+164幅彩图

语种：英文

开本：20×25.5cm

一部关于早期现代绘画中重复主题的权威且高雅的研究著作。

如今，系列图像主导了从广告到概念雕塑等所有形式的视觉媒体。在这个创新性项目中，作者们表明，早于20世纪高级现代主义对重复现象的接受，重复现象在早期现代绘画中就已作为一种激进元素出现。在安格尔、德拉罗什、热罗姆、柯罗、米勒、莫奈、塞尚、德加和马蒂斯的作品中，读者可以仔细比较19世纪和20世纪初一些最为人熟知的图像的紧密相关版本。作者们认为，这些画家通过在画作中创作紧密相关题材的多个版本，对基于独一无二、不可模仿的杰作概念的美学提出了挑战。通过精美的插图以及顶尖学者撰写的文章，本书最终展示了19世纪摄影术和电影的发明——及其内在的重复属性——如何并未削弱绘画这一传统媒介，反而推动其朝着新方向发展。 

An authoritative and elegant study of the theme of repetition in early modern painting.

Today serial imagery dominates all forms of visual media, from advertising to conceptual sculpture. In this innovative project, the authors show that the phenomenon of repetition appears as a radical element in early modern painting, long before its embrace by 20th-century high modernism. In works by Ingres, Delaroche, Gér?me, Corot, Millet, Monet, Cézanne, Degas, and Matisse, the reader can compare closely related versions of some of the most familiar imagery of the 19th and early 20th centuries. By making multiples of closely related subject matter in their paintings, the authors argue, these painters challenged an aesthetic based on the notion of an inimitable, unique masterpiece. Through beautiful illustrations and essays by leading scholars, this book ultimately shows how the 19th-century invention of photography and film—with their intrinsic attributes of repetition—did not diminish the traditional medium of painting but rather propelled it in new directions.