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玫瑰战争 英文原版 The Wars of the Roses 金雀花王朝的衰落与都铎王朝的崛起 英国历史全英文版进口英语书籍

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玫瑰战争 英文原版 The Wars of the Roses  金雀花王朝的衰落与都铎王朝的崛起 英国历史全英文版进口英语书籍 商品图0
玫瑰战争 英文原版 The Wars of the Roses  金雀花王朝的衰落与都铎王朝的崛起 英国历史全英文版进口英语书籍 商品图1
玫瑰战争 英文原版 The Wars of the Roses  金雀花王朝的衰落与都铎王朝的崛起 英国历史全英文版进口英语书籍 商品图2
玫瑰战争 英文原版 The Wars of the Roses  金雀花王朝的衰落与都铎王朝的崛起 英国历史全英文版进口英语书籍 商品缩略图0 玫瑰战争 英文原版 The Wars of the Roses  金雀花王朝的衰落与都铎王朝的崛起 英国历史全英文版进口英语书籍 商品缩略图1 玫瑰战争 英文原版 The Wars of the Roses  金雀花王朝的衰落与都铎王朝的崛起 英国历史全英文版进口英语书籍 商品缩略图2

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书名:The Wars of the Roses: The Fall of the Plantagenets and the Rise of the Tudors玫瑰战争/蔷薇战争

作者:Dan Jones丹·琼斯
出版社名称:Penguin Books
出版时间:2015
语种:英文
ISBN:9780143127888
商品尺寸:13.8 x 2.7 x 21.3 cm
包装:平装
页数:416

蔷薇战争,又称玫瑰战争(Wars of the Roses,1455年─1485年)是英王爱德华三世(1327年-1377年在位)的两支后裔:兰开斯特家族和约克家族的支持者为了争夺英格兰王位而发生断续的内战。

两大家族都是金雀花王朝王室的分支,约克家族是爱德华三世的第四子的后裔、兰开斯特家族是爱德华三世的第三子的后裔。玫瑰战争是约克家族的爱德华三世的第五代、第六代继承人对兰开斯特家族的爱德华三世的第四代、第五代继承人的王位战争。
“玫瑰战争”一名并未使用于当时,而是在16世纪,莎士比亚在历史剧《亨利六世》中以两朵玫瑰被拔标志战争的开始后才成为普遍用语。此名称源于两个家族所选的家徽,兰开斯特的红蔷薇和约克的白蔷薇。
战争终以兰开斯特家族的亨利七世与约克的伊丽莎白联姻为结束,也结束了法国金雀花王朝在英格兰的统治,开启了新的威尔士人都铎王朝的统治。也标记着在英格兰中世纪时期的结束并走向新的文艺复兴时代。

The Wars of the Roses: The Fall of the Plantagenets and the Rise of the Tudors《玫瑰战争》是英国作家丹·琼斯继The Plantagenets《金雀花王朝》之后的又一部历史著作,讲述了金雀花王朝的衰落以及都铎王朝的崛起。

The bestselling author of The Plantagenets and The Templars and presenter of Netflix’s Secrets of Great British Castles offers a vivid account of the events that inspired Game of Thrones and Shakespeare’s Henry IV and Richard III

Discover the real history behind The Hollow Crown: The Wars of the Roses, the PBS Great Performance series of Shakespeare’s plays, starring Judi Dench, Benedict Cumberbatch, Sofie Okenedo and Hugh Bonneville.  

The crown of England changed hands five times over the course of the fifteenth century, as two branches of the Plantagenet dynasty fought to the death for the right to rule. In this riveting follow-up to The Plantagenets, celebrated historian Dan Jones describes how the longest-reigning British royal family tore itself apart until it was finally replaced by the Tudors.

Some of the greatest heroes and villains of history were thrown together in these turbulent times, from Joan of Arc and Henry V, whose victory at Agincourt marked the high point of the medieval monarchy, to Richard III, who murdered his own nephews in a desperate bid to secure his stolen crown. This was a period when headstrong queens and consorts seized power and bent men to their will. With vivid descriptions of the battles of Towton and Bosworth, where the last Plantagenet king was slain, this dramatic narrative history revels in bedlam and intrigue. It also offers a long-overdue corrective to Tudor propaganda, dismantling their self-serving account of what they called the Wars of the Roses.
 
Praise for The Wars of the Roses
“Exhilarating, epic, blood-and-roses history. There are battles fought in snowstorms, beheadings, jousts, clandestine marriages, spurious genealogies, flashes of chivalry and streaks of pure malevolence.... Jones’s material is thrilling, but it is quite a task to sift, select, structure, and contextualize the information. There is fine scholarly intuition on display here and a mastery of the grand narrative; it is a supremely skillful piece of storytelling.”  — The Sunday Telegraph

“Jones’s greatest skill as a historical writer is to somehow render sprawling, messy epochs such as this one into manageable, easily digestible matter; he is keenly tuned to what should be served up and what should be omitted. And he still finds rooms for the telling anecdote and vivid descriptive passage. It makes for an engrossing read and a thoroughly enjoyable introduction to the Lancastrian-Yorkist struggle.”  — The Spectator

“If you’re a fan of Game of Thrones or The Tudors then Dan Jones’ swashbucklingly entertaining slice of medieval history will be right up your alley… Every bit as entertaining and readable as his previous blockbuster The Plantagenets.” — Daily Express

“Jones is a born storyteller, peopling the terrifying uncertainties of each moment with a superbly drawn cast of characters and powerfully evoking the brutal realities of civil war. With gripping urgency, he shows this calamitous conflict unfold.”  — The Evening Standard 
 
“Jones tells a good story. That is a good thing, since storytelling has gone out of favor among so many historians...  He admits that the era is at times incomprehensible, yet he manages to impose upon it sufficient order to render this book both edifying and utterly entertaining. His delightful wit is as ferocious as the dreadful violence he describes.”  — The Times (London)
 
“A fine new history... Tautly structured, elegantly written, and finely attuned to the values and sensibilities of the age, The Wars of the Roses is probably the best introduction to the conflict currently in print.”
The Mail on Sunday

“It’s not often that a book manages to be both scholarly and a page-turner, but Jones succeeds on both counts in this entertaining follow-up to his bestselling The Plantagenets... He sets a new high-water mark in the current revisionism of the Tudor era.”  — Publishers Weekly (starred review)

“Jones authoritatively sets the scene for the 15th-century succession crises... valiantly pared down for fluid readability.”  — Kirkus Reviews
丹·琼斯是专攻中世纪史的史学家,曾获多项大奖。他是伦敦《标准晚报》的长期专栏作家。他毕业于剑桥大学,是大卫·斯塔基(David Starkey)的得意门生。琼斯曾为BBC的“不列颠手工艺术”系列节目制作纪录片,还作为嘉宾参加了流行的历史题材电视节目“时代小组”。他的著作《夏日之血》(Summer Blood)记述了1381年的英格兰农民起义,被《独立报》选为年度好书。琼斯常为报刊撰写文章,目前和妻子及两个女儿生活在伦敦。


Dan Jones is the author of The Plantagenets: The Warrior Kings and Queen Who Made England, a #1 international bestseller and New York Times bestseller, and Wars of the Roses, which charts the story of the fall of the Plantagenet dynasty and improbable rise of the Tudors. He writes and presents the popular Netflix series “Secrets of Great British Castles” and appeared alongside George R.R. Martin in the DVD for Game of Thrones to discuss its historical antecedents. He is also the author of Magna Carta: The Birth of Liberty and Summer of Blood: England’s First Revolution and is working on a history of the Knights Templar due out in September 2017.
Note on Names, Money, and Distances

THE NAMES OF PRINCIPAL CHARACTERS in this book have generally been modernized for the sake of familiarity and consistency. Thus Nevill becomes Neville, Wydeville becomes Woodville, Tudur becomes Tudor, and so on. Latin, French and archaic English sources have all been translated or rendered into modern English except in a very few cases where original spellings have been maintained to illustrate a historical point.
Where particularly pertinent, sums of money have been translated into modern currencies with the assistance of the conversion tool at www.nationalarchives.gov.uk/currency, which gives modern values for ancient, and also has a “purchasing power” function. Readers should be aware, however, that the conversion of monetary values across the centuries is a perilously inexact science, and that the figures given are for rough guidance only. As a very rough guide, £100 in 1450 would be worth £55,000 (or $90,000) today. The same sum would represent ten years’ annual salary for an ordinary English laborer in the mid-fifteenth century.
Where a distance between two places is given, it has usually been calculated using Google Maps Walking Directions, and thus tends to be calculated according to the fastest route via modern roads.
Introduction
AT SEVEN O’CLOCK IN THE MORNING on Friday, May 27, 1541, within the precincts of the Tower of London, an old woman walked out into the light of a spring day. Her name was Margaret Pole. By birth, blood and lineage she was one of the noblest women in England. Her father, George, duke of Clarence, had been the brother to a king, and her mother, Isabel Neville, had in her time been coheir to one of the greatest earldoms in the land. Both parents were now long gone, memories from another age and another century.
Margaret’s life had been long and exciting. For twenty-five years she had been the countess of Salisbury, one of only two women of her time to have held a peerage in her own right. She had until recently been one of the five wealthiest aristocrats of her generation, with lands in seventeen different counties. Now, at sixty-seven—ancient by Tudor standards—she appeared so advanced in age that intelligent observers took her to be eighty or ninety.

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