书名：Damien Hirst: Archaeology Now Galleria Borghese / 达明安·赫斯特：考古进行时 / 博尔盖塞美术馆
定价：580.0
ISBN：9788829710461
作者：Damien Hirst
版次：1
出版时间：2022-02

内容提要：
书名：Damien Hirst: Archaeology Now / Galleria Borghese / 达明安·赫斯特：考古学此时此地 / 博尔盖塞美术馆
作者：Damien Hirst (艺术家)；Anna Coliva, Mario Codognato (编辑)；Geraldine Leardi (撰稿)
出版社：Marsilio (由 Artbook / D.A.P. 发行)，2021年
装帧：精装，304页
语种：英文
尺寸：约 26.0*33.0 cm（10.5 x 13.0 英寸）

ISBN：978-88-297-1046-1

简介
达明安·赫斯特与博尔盖塞美术馆众多杰作展开创造性对话。在这项非凡的文化事业中，英国艺术家达明安·赫斯特（1965年生）与意大利博尔盖塞美术馆中卡拉瓦乔、拉斐尔、提香、贝尔尼尼、卡诺瓦等大师的作品展开了激烈而直接的互动。作为当代艺术界无与伦比且备受争议的名人，赫斯特的作品与博尔盖塞美术馆中的色彩与材料完美契合。他用青铜、卡拉拉大理石或诱人的孔雀石等精美材料制成的雕塑，被陈列在博物馆内收藏着贝尔尼尼的雕塑群和卡诺瓦的《宝琳娜·博尔盖塞》等杰作的展厅中。其效果出乎意料地和谐：五位希腊裸女雕像在卡诺瓦雕塑旁边显得自然，而“阿西特市长的狮女”的原始外观则与美术馆地板形成了完美的色彩协调。赫斯特的新系列“色彩空间”绘画与美术馆画廊中悬挂的作品流动感相呼应。这种古今交融的全面视野，通过古董绘画与当代绘画的无框并置得以实现，没有任何标识元素来打断这种沉浸式的体验。

Damien Hirst enters into creative conversation with the many masterpieces of the Galleria Borghese. In an extraordinary cultural undertaking, British artist Damien Hirst (born 1965) has launched an intense and unfiltered interaction with the works of Caravaggio, Raphael, Titian, Bernini, Canova and others in Italy's Galleria Borghese. An unparalleled and controversial celebrity of the contemporary art world, Hirst's work is perfectly suited to be displayed in relation to the colors and materials found in the Galleria Borghese. His sculptures, made of fine materials such as bronze, Carrara marble or seductive malachite, have been put on display in rooms of the museum that house masterpieces of the modern era such as the statuary groups of Gian Lorenzo Bernini and Antonio Canova's Paolina Borghese. The resulting effect is one of surprising harmony: the Five Grecian Nudes appear natural next to Canova's sculpture and the primitive appearance of the Lion Women of Asit Mayor is in perfect chromatic accord with the floors of the Galleria. Hirst's new series of Colour Space paintings offers the same sense of continuity as the flow of the works hanging in the museum's picture gallery. This comprehensive vision of the past and the present is fostered by the proximity of antique painting and contemporary painting, without frames to separate them, and without elements of signage to interrupt this immersion.