Weaving At Black Mountain College Anni Albers, Trude Guerm

黑山学院的编织： 安妮·阿尔伯斯、特鲁德·盖蒙普雷斯和他们的学生

●产品信息——

出版社 ‏ : ‎ Black Mountain College Museum and Arts Center (2023年 10月 31日)

语言 ‏ : ‎ 英语

精装 ‏ : ‎ 216页

ISBN-10 ‏ : ‎ 0300273568

ISBN-13 ‏ : ‎ 978-0300273564

商品重量 ‏ : ‎ 1.24 Kilograms

尺寸 ‏ : ‎ 21.79x2.39x27.2 cm

页面参数仅供参考，具体以实物为准

●内容简介——

对传奇的黑山学院编织艺术的作用和遗产的详细研究

二十世纪中叶，黑山学院吸引了众多杰出的艺术家、建筑师和音乐家。然而，由安妮-阿尔伯斯（Anni Albers）、特鲁德-盖蒙普雷斯（Trude Guermonprez）和其他六位教师教授的编织课却很少被提及，或常常被视为纯粹的手工课，其中包括纺织品设计师洛尔-卡登-林登菲尔德和埃尔塞-雷根斯坦纳等专家，以及艺术家雷-约翰逊和罗伯特-劳申伯格、建筑师唐-佩吉和克劳德-斯托勒等其他专业的学生。布莱克山学院的编织》利用大量未发表的资料和档案照片，改写了历史，展示了编织如何在传奇的艺术和设计中扮演了比以往想象中更重要的角色。

书中展示了数十件来自私人和公共收藏的物品，其中许多从未在这种背景下展出过。书中的文章探讨了黑山纺织工所建立的联系和网络；该学院的纺织与更广泛的有关纺织和工艺的论述之间的联系；以及安妮-阿尔伯斯（Anni Albers）对包豪斯的影响。书中还收录了五位当代艺术家的作品，这些作品将黑山学院的编织遗产与今天的编织艺术联系在一起并做出了回应。

A detailed study of the role and legacy of weaving at the legendary Black Mountain College

In the mid-twentieth century, Black Mountain College attracted a remarkable roster of artists, architects, and musicians. Yet the weaving classes taught by Anni Albers, Trude Guermonprez, and six other faculty members are rarely mentioned or are often treated as mere craft lessons. This was far from the case: the weaving program was the school’s most sophisticated and successful design program. About ten percent of all Black Mountain College students took at least one class in weaving, including specialists like textile designers Lore Kadden Lindenfeld and Else Regensteiner, as well as students from other disciplines, like artists Ray Johnson and Robert Rauschenberg and architects Don Page and Claude Stoller. Drawing upon a wealth of unpublished material and archival photographs, Weaving at Black Mountain College rewrites history to show how weaving played a much larger role in the legendary art and design curriculum than previously assumed.

The book illustrates dozens of objects from private and public collections, many of which have never been shown in this context. Essays explore connections and networks fostered by Black Mountain weavers; the ways in which weaving at the college was linked to larger discourses about weaving and craft; and Bauhaus influences transmitted by way of Anni Albers. The book also includes works by five contemporary artists that connect and respond to the legacy of weaving at Black Mountain College today.