亨乐原版 勃拉姆斯 帕格尼尼主题变奏曲 op35 钢琴独奏 带指法

Brahms Paganini Variations

●产品信息——

出版社 ‏ : ‎ G. Henle Verlag (2009年1月10日)

语言 ‏ : ‎ 英语

ISBN-13 ‏ : ‎ 979-0201803944

商品重量 ‏ : ‎ 222 g

尺寸 ‏ : ‎ 23.5 x 0.5 x 31 cm

页面参数仅供参考，具体以实物为准

●内容简介——

在19世纪，尼科洛-帕格尼尼是演奏家的化身。许多作曲家将他的音乐主题用于自己的创作。约翰内斯-勃拉姆斯同样毫不犹豫地将小提琴大师帕格尼尼的作品作为他自己的乐器--钢琴的创作基础，将帕格尼尼作品中的《第24首小调随想曲》作为自己的作品。他以帕格尼尼的第1号作品中的小调24号随想曲为蓝本。勃拉姆斯最初把创作于1862/63年的《变奏曲》仅仅视为自己的 "手指练习"，并不打算出版。几年后，他幸运地作出了不同的决定，因此，作为勃拉姆斯爱好者的钢琴家们可以通过这个乌尔文版欣赏到一部不同寻常的演奏家杰作。与肖邦、舒曼和李斯特的同主题变奏曲相比，勃拉姆斯的变奏曲提供了更丰富、更新颖的钢琴变奏范围。至于演奏者是否像克拉拉-舒曼那样认为它们是 "女巫的变奏"，那是他们自己的事。

In the 19th century, Nicolò Paganini was the of the virtuoso. Many composers used his musical themes for their own creative work. Johannes Brahms likewise did not hesitate to use a work by Paganini the violin virtuoso as the basis for a composition for his own instrument, the piano, using the Capriccio no. 24 in a minor from Paganini’s op. 1 as his model. Brahms initially viewed the Variations, composed in 1862/63, merely as a “finger exercise” for himself, and had no intention of publishing them. After several years he fortunately decided otherwise, and thus with this Urtext edition pianists who are Brahms aficionados can enjoy an unusual virtuoso masterpiece. In contrast to the variations on the same theme by Chopin, Schumann and Liszt, those by Brahms offer a much richer, more novel spectrum of pianistic variations. Whether players find them to be “witches’ variations”, as did Clara Schumann, is a matter for them.