书名：Hermann Goepfert / 赫尔曼·格普费尔特
定价：420.0
ISBN：9783775739832
作者：Beate Kemfert
版次：1
出版时间：2015-01

内容提要：

书名：Hermann Goepfert / 赫尔曼·格普费尔特

作者：Beate Kemfert

出版：Hatje Cantz，2015年

装帧：精装，288页

语种：德文，英文

尺寸：24.6*31.6 cm

 

 

这位主要活跃于美因河畔法兰克福的零派艺术家（1926-1982），是零派运动中最积极倡导艺术与建筑融合的代表人物，同时也是战后艺术界尤为活跃的角色：他与皮耶罗·曼佐尼、杰夫·韦尔海恩、卢齐欧·封塔纳交往甚密；曾参与零派艺术家的重要联展，并受邀参加第三届卡塞尔文献展——其作品陈列于具有里程碑意义的"光与运动"展区，该展区正是为前沿艺术潮流搭建的实践平台。

 

比阿特·肯费尔特编纂的详尽作品全集，重新确立了赫尔曼·格普费尔特这座多元艺术创作宝库在艺术史上的重要地位。

 

His early monochrome “white pictures”; his “reflectors,” polished, haptic, kinetic works made from silvery sheet metal and mounted on the wall; or his light-sound machines called “optophones”—these are the works one associates with Hermann Goepfert.

 

The ZERO artist (1926–1982), who was primarily active in Frankfurt am Main, was the one who most vigorously represented the integration of art and architecture within the ZERO movement and at the same time was a markedly active figure in the postwar art scene: he was intimate with Piero Manzoni, Jef Verheyen, and Lucio Fontana; he was involved in major exhibitions of works by the ZERO artists. Goepfert participated at documenta III; his works were presented in the famous “Light and Movement” section, which provided a platform for pioneering new currents in art.

 

The extensive catalogue raisonné by Beate Kemfert reappraises the art-historical relevance of Hermann Goepfert’s multifaceted oeuvre.