Collective Threads: Anna Andreeva at the Red Rose Silk Factory

纺织品设计师安娜·安德列耶娃

出版社 ‏ : ‎ Scheidegger and Spiess (2025年 7月 25日)

语言 ‏ : ‎ 英语

精装 ‏ : ‎ 240页

ISBN-10 ‏： ‎ 3039422499

ISBN-13 ‏： ‎ 978-3039422494

商品重量 ‏ : ‎ 454 g

尺寸 ‏ : ‎ 27.5 x 2.8 x 22 cm

页面参数仅供参考，具体以实物为准

捕捉苏联纺织品设计师和艺术家安娜·安德烈耶娃 (Anna Andreeva) 的有影响力的作品。

安娜·安德烈耶娃 (Anna Andreeva) (1917-2008) 是苏联纺织品设计师，1944 年至 1984 年期间担任莫斯科著名红玫瑰丝绸厂的首席艺术家。前吉罗丝绸厂于 1919 年十月革命后被国有化，并更名为纪念遇害的波兰裔德国社会主义革命家罗莎·卢森堡，成为女性集体设计劳动的场所，塑造了晚期社会主义的时尚和物质文化。安德烈耶娃的壮观图案范围从抽象和几何到宇宙和太空时代，再到莫斯科市和俄罗斯民间艺术的绘画主题。她批量生产的设计是 20 世纪 60 年代和 70 年代在苏联境内最受欢迎的纺织品印花之一。

《集体线》延续了女权主义者对女性制造者的重视，但将焦点从手工女性工艺转移到另一种工业规模的纺织生产模式，这种模式是共产主义体制内刻意按照集体方式组织的。它通过复制安德烈耶娃的绘画、草图和历史织物样品，以及红玫瑰工厂的文件、苏联时尚杂志和当地和国际展览设计的图片，展示了安德烈耶娃的杰出艺术。国际学者、策展人和评论家撰写的论文将安德烈耶娃的作品和职业生涯置于历史和艺术背景中。

Captures the influential work of Soviet textile designer and artist Anna Andreeva.

Anna Andreeva (1917–2008) was a Soviet textile designer and leading artist at the famous Red Rose Silk Factory in Moscow from 1944 to 1984. The former Giraud silk factory, nationalized in 1919 after the October Revolution and renamed to commemorate the murdered Polish-German socialist revolutionary Rosa Luxemburg, became a site of collective female design labor that shaped the fashion and material culture of late socialism. Andreeva’s spectacular patterns range from abstract and geometric to cosmic and space-age and to pictorial themes of the city of Moscow and Russian folk art. Her mass-produced designs were among the most popular textile prints distributed within the USSR in the 1960s and 1970s.

Collective Threads contributes to the recent intensive interest in textile art by continuing the feminist emphasis on woman makers but shifting the focus from handmade women’s craft to a different model of industrial-scale textile production deliberately organized along collective lines within the Communist system. It showcases Andreeva’s outstanding art through reproductions of her drawings, sketches, and historic fabric samples as well as documents from the Red Rose factory, Soviet fashion magazines, and images of local and international exhibition designs. Essays contributed by international scholars, curators, and critics place Andreeva’s work and career in a historical and artistic context.

克里斯蒂娜·基尔 (Christina Kiaer)是一位专门研究苏联艺术的艺术史学家，也是西北大学艺术与人文学科的弗朗西斯·胡珀教授和艺术史系主任。她最近出版了《集体身体：社会主义现实主义极限下的亚历山大·德涅卡》(Collective Body: Aleksandr Deineka at the Limit of Socialist Realism) （芝加哥大学出版社，2024 年）。

Christina Kiaer is an art historian specializing in Soviet art and the Frances Hooper Professor in the Arts and Humanities and chair of the Department of Art History at Northwestern University. She recently published Collective Body: Aleksandr Deineka at the Limit of Socialist Realism (University of Chicago Press, 2024.)