Viollet-le-Duc: Drawing Worlds

法国建筑师维奥莱·勒·迪克

出版商 : 巴德研究生中心

出版日期 : 2026年1月27日

语言 : 英语

印刷长度 : 350 页

ISBN-10 : ‎ 0300284489

ISBN-13 : ‎ 978-0300284485

商品重量 : 1.74 磅

页面参数仅供参考，具体以实物为准

维奥莱-勒-杜克（1814-1879）是十九世纪法国杰出的建筑师和修复大师，他是一位极具影响力的建筑师，本研究探讨了平面设计在其职业生涯中所扮演的角色。

这项开创性的研究考察了他如何运用绘画和版画作为一种观察和思考的方式，并通过捕捉历史世界的活力以及人类文化与自然界之间隐含的相似性，将其作为一种强化关系的手段。

在理解维奥莱-勒-杜克的大量平面设计作品的过程中，学者们探讨了他对中世纪战争最细微细节的富有想象力的再现；他对修复极其复杂的中世纪古迹的实际任务的处理方式；他在巴黎年度沙龙、教学手册和儿童读物中公开传播建筑理念的新方法的实验；甚至还有一项旨在恢复雄伟勃朗峰原始结构的宏伟计划。维奥莱-勒-杜克运用的技法范围广泛，从大型彩绘场景到石版画、钢版画、木刻画、水粉画、描摹画以及全尺寸细节描绘，无所不包。

这本插图丰富的书籍为我们提供了一个窗口，让我们得以一窥这位建筑师的创作过程，并探索了他如何凭借精湛的平面艺术运用媒体的力量传播建筑知识，并传播基于对抗性思想的意识形态，尤其是民族主义和种族主义。

An exploration of the role of graphic work in the career of one of the nineteenth century’s most influential architects

Viollet-le-Duc (1814–1879) was nineteenth-century France’s most prominent architect and restorer. This groundbreaking study examines how he used drawing and printmaking as a mode of seeing and thinking and as a means to intensify relationships by capturing the vitality of historical worlds and hidden analogies between human culture and the natural realm.

Making sense of Viollet-le-Duc’s vast graphic production, scholars consider his imaginative recreations of the most minute aspects of medieval warfare; his approach to the practical tasks of restoring very complex medieval monuments; his experiments in new means of publicly diffusing architectural ideas in the yearly Parisian salons, in didactic manuals, and in children’s books; and even a fantastic project to restitute the original structure of the formidable massif of Mont Blanc. The gamut of techniques employed by Viollet-le-Duc stretches from large painted tableaux to lithographs, steel engravings, woodcuts, gouaches, tracings, and full-scale details.

This generously illustrated volume offers an unparalleled window into the architect’s working process and explores how his mastery of the graphic arts helped him harness the power of the press to disseminate architectural knowledge and spread ideologies based on antagonism, most notably nationalism and racism.

巴里·伯格多尔（Barry Bergdoll）是哥伦比亚大学艺术史与考古学系迈耶·夏皮罗艺术史教授。

马丁·布雷萨尼（Martin Bressani）是麦吉尔大学傅国华建筑学院威廉·麦克唐纳教授。

Barry Bergdoll is Meyer Schapiro Professor of Art History in the Department of Art History and Archaeology at Columbia University. 

Martin Bressani is William Macdonald Professor at the Peter Guo-hua Fu School of Architecture at McGill University.