Grotto Art of China: A Sourcebook（Signed Edition）

中国石窟艺术：文献集（签名版）

ISBN: 978988237381501

裝幀：平裝

出版日期：2026年2月

出版社：The Chinese University of Hong Kong Press

頁數：496頁

開本：229 x 152 mm

页面参数仅供参考，具体以实物为准

为何中国各地会有如此众多的佛教石窟被雕刻而成？这些石窟又为我们揭示了有关中国艺术历史的哪些信息？

《中国石窟艺术：一部资料集》追溯了这一独特艺术形式的起源，从印度次大陆一路追溯至其在亚洲各地乃至中国大放异彩的鼎盛时期。

本卷汇集了来自国际顶尖学者的研究成果，对主要的石窟群——包括莫高窟、云冈、龙门、巩县、响堂山和天龙山——进行了系统性的研究，同时还涵盖了甘肃、山东、陕西、四川、西藏和新疆等地一些重要但相对鲜为人知的区域遗址。

本书以地理区域为脉络，探索这些神圣遗址作为信仰媒介、政治表达载体以及文化交流平台的作用，涵盖了诸如皇家赞助、独特艺术风格以及这些坚韧遗址如何保存原本可能湮没于历史之中的重要信息等内容。该书对于学生、学者和见多识广的旅行者而言是一部不可或缺的参考书，它深入剖析了连接亚洲各地文化的精神与艺术传统。

Why were so many Buddhist grottoes carved across China, and what do they tell us about the history of Chinese art?

Grotto Art of China: A Sourcebook traces the origins of this unique art form from the Indian subcontinent to its monumental flowering across Asia and into China.

This volume brings together contributions from leading international scholars, providing systematic studies of major grotto complexes—including Mogao, Yungang, Longmen, Gongxian, Xiangtangshan, and Tianlongshan—alongside crucial, lesser-known regional sites in Gansu, Shandong, Shaanxi, Sichuan, Tibet, and Xinjiang.

Organized geographically, the book explores these sacred sites as mediums of devotion, political expression, and cultural exchange, covering topics such as imperial patronage, distinctive artistic styles, and the ways these resilient sites preserve vital information otherwise lost to history. An essential reference for students, scholars, and informed travelers, it offers deep insight into the spiritual and artistic traditions that connected cultures across Asia.

巫鸿是芝加哥大学东亚艺术研究中心主任。他对中国传统艺术和现代/当代艺术的浓厚兴趣促使他探索将这两个传统上分离的阶段整合到新型艺术史叙事中的方法。

蒋仁和是芝加哥大学东亚艺术研究中心艺术史系高级顾问。她的研究领域包括中国佛教艺术、中国陶瓷和物质文化，以及中世纪中国艺术创作中的文化互动和政治修辞。

Wu Hung is Director of the Center for the Art of East Asia at The University of Chicago. His interest in both traditional and modern/contemporary Chinese art has led him to experiment with different ways to integrate these conventionally separate phases into new kinds of art historical narratives.

Katherine Renhe Tsiang is Senior Consultant , Center for the Art of East Asia Department of Art History at The University of Chicago. Her research concentrates on the fields of Chinese Buddhist art, Chinese ceramics and material culture, and cultural interactions and political rhetoric in the production of art in medieval China.