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Drifting among Rivers and Lakes: Southern Song Dynasty Poetry and the Problem of Literary History /

510.00
运费: ¥ 10.00-46.00
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书名:Drifting among Rivers and Lakes: Southern Song Dynasty Poetry and the Problem of Literary History / 江湖漂零:南宋诗歌与文化历史问题
定价:510.0
ISBN:9780674073227
作者:Michael A. Fuller
版次:1
出版时间:2013-01

内容提要:

书名:Drifting among Rivers and Lakes: Southern Song Dynasty Poetry and the Problem of Literary History / 江湖漂零:南宋诗歌与文学史问题
作者:Michael A. Fuller (迈克尔·富勒)
出版社:Harvard University Asia Center (哈佛大学亚洲中心,由哈佛大学出版社发行),2013年
装帧:精装,526页
语种:英文
尺寸:约 15.2*22.9*4.2 cm(6 x 9 x 1.66 英寸)

ISBN:978-0-6740-7322-7


简介
是什么驱动了文学的变迁?文学仅仅是追随文化的变迁,还是在塑造新兴趋势中扮演了独特的角色?Michael Fuller在探讨中国“诗”从北宋晚期(960-1127)到南宋末期(1127-1279)的变迁时,审视了这些问题。这一时期的中国社会与文化经历了深刻的变革。应事而作的“诗”是宋代中国的主导文学体裁,是文人探索其与世界相遇之意义的核心形式。然而到了北宋晚期,旧的表意模式逐渐失效,道学(即理学)为理解自我与世界提供了一个越来越有吸引力的新基础。本书追溯了诗歌创作、诗学写作与道学争论之间的交织关系,这些因素共同促成了南宋末年文化上的综合,并为之后六个世纪的中国社会奠定了模式。Fuller通过研究该时期主要诗人和儒家思想家的著作,发现诗歌与道学之间逐渐形成了一种互补关系,两者皆非自足。


What drives literary change? Does literature merely follow shifts in a culture, or does it play a distinctive role in shaping emergent trends? Michael Fuller explores these questions while examining the changes in Chinese shi poetry from the late Northern Song dynasty (960–1127) to the end of the Southern Song (1127–1279), a period of profound social and cultural transformation. Shi poetry written in response to events was the dominant literary genre in Song dynasty China, serving as a central form through which literati explored meaning in their encounters with the world. By the late Northern Song, however, old models for meaning were proving inadequate, and Daoxue (Neo-Confucianism) provided an increasingly attractive new ground for understanding the self and the world. Drifting among Rivers and Lakes traces the intertwining of the practice of poetry, writings on poetics, and the debates about Daoxue that led to the cultural synthesis of the final years of the Southern Song and set the pattern for Chinese society for the next six centuries. Examining the writings of major poets and Confucian thinkers of the period, Fuller discovers the slow evolution of a complementarity between poetry and Daoxue in which neither discourse was self-sufficient.






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