Lucian Freud

卢西安·弗洛伊德

出版方： 国家肖像馆

发布日期： 2026年4月7日

语言： 英语

印刷长度： 224页

ISBN-10： 1855148153

ISBN-13： 978-1855148154

页面参数仅供参考，具体以实物为准

追溯这位英国具象绘画大师一生中不断演变的绘画实践

《绘画中的素描》一书深入剖析了卢西安·弗洛伊德从20世纪40年代到21世纪初的素描与绘画之间的密切对话，揭示了弗洛伊德毕生对人脸和形体的关注。本书采用精美的四分之一精装封面，内页采用无涂层纸印刷，探讨了素描如何在弗洛伊德的艺术实践中始终占据核心地位。从速写到炭笔、粉彩和蚀刻的最终作品，弗洛伊德的素描作品为我们提供了一个难得的机会，得以窥见他的创作过程，展现了风格的转变、实验性的探索以及他不断演进的观察方式。本书涵盖了弗洛伊德从童年到晚年的经历，追溯了他从素描到绘画，再到素描的非传统艺术道路。除了收录弗洛伊德及其他艺术家的精选素描和重要绘画作品外，本书还包含与弗洛伊德的挚友兼助手大卫·道森以及弗洛伊德的女儿贝拉·弗洛伊德的访谈。作家兼策展人凯瑟琳·兰伯特、大英博物馆素描策展人伊莎贝尔·塞利格曼以及著名小说家科尔姆·托宾撰写的精辟文章，进一步阐释了弗洛伊德的世界及其艺术遗产。

Tracing the British figurative master's evolving drawing practice throughout his lifetime

Examining the intimate dialogue between his sketches and paintings from the 1940s to the early 21st century, Drawing into Painting reveals Lucian Freud's lifelong focus on the human face and form. Featuring a gorgeously designed quarter-bound cover printed on uncoated paper, the volume explores how drawing remained central to Freud's artistic practice throughout his life. From quick sketches to finished works in charcoal, pastel and etching, his drawings offer a rare window into his process, revealing shifts in style, experimentation and his evolving mode of seeing. Spanning from his childhood to his final years, the book traces the unconventional path from his drawing practice to his painting, and back again. Alongside a selection of rarely seen drawings and key paintings by both Freud and others, the book includes conversations with David Dawson, Freud's close friend and assistant, and Bella Freud, the artist's daughter. Insightful essays by writer and curator Catherine Lampert, British Museum drawings curator Isabel Seligman, and acclaimed novelist Colm Tóibín further illuminates Freud's world and legacy.

卢西安·弗洛伊德（1922-2011）被誉为20世纪最伟大的具象现实主义艺术家之一，他毕生致力于肖像画创作。他曾说过一句名言：“万物皆肖像”，并创作了许多观察入微的肖像画，描绘了动物、植物、家人、社交圈以及日常生活中的人物。

Lucian Freud (1922–2011) is celebrated as one of the great figurative realist artists of the 20th century, who devoted his artistic life to portraiture. Famously stating that "everything is a portrait," he created intensely observed portraits of animals and plants, as well as his family members and those in his social circle and daily life.