书名：Renaissance Art: A Very Short Introduction牛津通识读本:文艺复兴时期的艺术

作者：Geraldine A Johnson 

出版社名称：OUP Oxford 

出版时间：2005 

语种：英语 

ISBN：9780192803542 

商品尺寸：17.5 x 11 x 1.1 cm 

包装：平装

页数：156（以实物为准）

波提切利，霍尔拜因，莱昂纳多，杜勒，米开朗基罗：名字很熟悉，作品如《zui后的晚餐》壁画或大卫的宏伟大理石雕像。但是这些艺术家是谁？为什么他们制作出如此令人难忘的图像？他们的原始情人如何看待这些物品？文艺复兴时期是否只涉及伟大的大师和杰作，还是“女主人”（例如女性艺术家和赞助人）也参与其中？

那文艺复兴时期的男人和女人在家庭，教堂和市政空间中会遇到的“小件”呢？这一激动人心的作品将通过考虑欧洲文艺复兴时期文化和历史背景下的著名和鲜为人知的艺术家，赞助人和艺术品来回答这些问题。

关于系列：牛津大学出版社的“非常简短的介绍”系列包含几乎每个主题领域的数百种标题。这些袖珍本是快速在新学科上取得成功的理想方法。我们的专家作者结合了事实，分析，观点，新思想和热情，使有趣且具挑战性的主题更具可读性。

Botticelli, Holbein, Leonardo, Durer, Michelangelo: the names are familiar, as are the works, such as the Last Supper fresco, or the monumental marble statue of David. But who were these artists, why did they produce such memorable images, and how would their original beholders have viewed these objects? Was the Renaissance only about great masters and masterpieces, or were "mistresses" also involved, such as women artists and patrons? And what about the 'minor'-pieces that Renaissance men and women would have encountered in homes, churches and civic spaces? This exciting and stimulating volume will answer such questions by considering both famous and lesser-known artists, patrons and works of art within the cultural and historical context of Renaissance Europe.

ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

杰拉尔丁·约翰逊（Geraldine A. Johnson）是牛津大学艺术史的大学讲师，也是牛津大学基督教堂院士。她获得了博士学位。来自哈佛大学。她的出版物涉及从意大利文艺复兴时期的艺术研究到当代美国雕塑的研究，以及从近代欧洲早期的女顾客到摄影史。她的作品曾出现在《伯灵顿》杂志，《艺术

公报》，《艺术史》和《文艺复兴季刊》等重要期刊上。1997年，剑桥大学出版社出版了她获奖的论文集，她与人合着了《文艺复兴时期的女性和意大利巴洛克式的女性》。同一家出版社还出版了她在1998年编辑的另一卷《雕塑与摄影：构想》。

第三维度。目前，她正在完成一本有关现代意大利早期雕塑的触觉和视觉接收的书。

Geraldine A. Johnson is University Lecturer in History of Art at the University of Oxford, and a fellow of Christ Church, Oxford. She received her Ph.D. from Harvard University. Her publications range from studies of Italian Renaissance art to considerations of contemporary American sculpture, and from women patrons in Early Modern Europe to the history of photography. Her work has appeared in important journals such as The Burlington Magazine, The Art

Bulletin, Art History, and Renaissance Quarterly. In 1997, Cambridge University Press published a prize-winning essay collection she co-edited titled Picturing Women in Renaissance and Baroque Italy. The same press also published another volume she edited in 1998 titled Sculpture and Photography: Envisioning the

Third Dimension. At present, she is completing a book on the tactile and visual reception of sculpture in Early Modern Italy.

1.Whose Renaissance? Whose art?

2.The art of the altarpiece

3.Story-telling in Renaissance Art

4.The challenge of nature and the antique

5.Portraiture and the rise of 'Renaissance Man'

6.The story of a square

7.Objects and images for the domestic sphere

8.Did women have a Renaissance?

9.Michelangelo and the birth of the Artist...and of Art History

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