Ogata Korin Art In Early Modern Japan

尾形光琳：日本早期现代艺术

产品信息

出版社 ‏ : ‎ Yale University Press (2021年10月12日)

语言 ‏ : ‎ 英语

精装 ‏ : ‎ 240页

ISBN-10 ‏ : ‎ 0300256914

ISBN-13 ‏ : ‎ 978-0300256918

商品重量 ‏ : ‎ 1.1 kilograms

尺寸 ‏ : ‎ 20.96 x 2.54 x 25.4 cm

页面信息仅供参考，具体以实物为准

内容简介

介绍江户时代重要的日本艺术家之一的茂密肖像画

绪方光琳（1658-1716）以其画作《鸢尾花》和《红白梅花》而闻名，是一位非常成功的艺术家，他的作品涉及多种类型和媒介--包括挂轴、屏风画、扇面画、漆器、纺织品和陶瓷器。结合档案研究、社会历史和视觉分析，弗兰克-费尔滕斯将Kōrin置于更广泛的现代日本艺术文化中。他展示了经济压力、客户偏好以及在竞争激烈的领域中对个人品牌的冲动如何影响了Kōrin整个职业生涯中的艺术创作方法。费尔滕斯还对艺术家的作品进行了敏锐的视觉解读，强调了光琳的艺术创新在不同媒体上的成功方式，例如他将绘画技术引入漆器设计，以及他创造了模仿水墨画外观的陶瓷。这本书是第一本关于光琳的主要英文研究报告，为日本最重要的艺术家之一提供了一个亲切而发人深省的肖像。

A lush portrait introducing one of the most important Japanese artists of the Edo period

Best known for his paintings Irises and Red and White Plum Blossoms, Ogata Kōrin (1658–1716) was a highly successful artist who worked in many genres and media—including hanging scrolls, screen paintings, fan paintings, lacquer, textiles, and ceramics. Combining archival research, social history, and visual analysis, Frank Feltens situates Kōrin within the broader art culture of early modern Japan. He shows how financial pressures, client preferences, and the impulse toward personal branding in a competitive field shaped Kōrin’s approach to art-making throughout his career. Feltens also offers a keen visual reading of the artist’s work, highlighting the ways Kōrin’s artistic innovations succeeded across media, such as his introduction of painterly techniques into lacquer design and his creation of ceramics that mimicked the appearance of ink paintings. This book, the first major study of Kōrin in English, provides an intimate and thought-provoking portrait of one of Japan’s most significant artists.