Fu Shan's World: The Transformation of Chinese Calligraphy in the Seventeenth Century / 傅山的世界:十七世纪中国
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定价:516.0
ISBN:9780674010925
作者:Qianshen Bai
版次:1
出版时间:2003-01
内容提要:
书名:Fu Shan's World: The Transformation of Chinese Calligraphy in the Seventeenth Century / 傅山的世界:十七世纪中国书法的嬗变
作者:Qianshen Bai (白谦慎)
出版社:Harvard University Asia Center (哈佛大学亚洲中心)
出版日期:2003年6月30日
装帧:精装
页数:约368页
语种:英文
尺寸:约 21.6*27.3 cm (8.5 x 10.75 英寸)
千余年来,中国书法一直以王羲之(303-361年)的典雅艺术为典范。然而,十七世纪一种模仿古代青铜器和碑刻上粗犷、残缺文字的风格的兴起,引发了一场书法审美的革命。至十八世纪,这促成了碑学书派的形成,并持续影响着中国书法的发展。
傅山(1607-1685)是该学派的关键人物,他的作品横跨晚明至清初,为研究书法的这场嬗变提供了一个理想的研究窗口。本书并非寻求单一的解释,而是深入探讨了书法审美变化背后多元且复杂的文化、社会及政治进程。书中涉及的主题包括:晚明精英文化与大众文化的互动、出版业的作用、明遗民对清廷的反应,以及清初思想话语的变迁。作者采用了艺术史之外,还包括物质文化、印刷文化以及社会与思想史等多学科的理论视角。
This book is currently out of stock. For 1,300 years, Chinese calligraphy was based on the elegant art of Wang Xizhi (A.D. 303–361). But the seventeenth-century emergence of a style modeled on the rough, broken epigraphs of ancient bronzes and stone artifacts brought a revolution in calligraphic taste. By the eighteenth century, this led to the formation of the stele school of calligraphy, which continues to shape Chinese calligraphy today. A dominant force in this school was the eminent calligrapher and art theorist Fu Shan (1607–1685). Because his work spans the late Ming–early Qing divide, it is an ideal prism through which to view the transformation in calligraphy. Rather than seek a single explanation for the change in calligraphic taste, the author demonstrates and analyzes the heterogeneity of the cultural, social, and political processes behind it. Among other subjects, the book covers the late Ming interaction between high and low culture; the role of publishing; the Ming loyalist response to the Qing; and early Qing changes in intellectual discourse.

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