David Smith Sculpture : A Catalogue Raisonne, 1932-1965

《大卫史密斯的雕塑：目录，1932-1965年》

●产品信息——

出版社 ‏ : ‎ Other Distribution (2021年11月30日)

语言 ‏ : ‎ 英语

精装 ‏ : ‎ 1360页

ISBN-10 ‏ : ‎ 0300224117

ISBN-13 ‏ : ‎ 978-0300224115

商品重量 ‏ : ‎ 666 g

尺寸 ‏ : ‎ 25.65 x 13.72 x 32.51 cm

页面参数仅供参考，具体以实物为准

●内容简介——

这是学术上关于二十世纪艺术杰出人物的不朽的新作品。

“我不确定我是否见过一个目录raisonné如此美丽，如此壮丽，新出版的关于伟大的美国雕塑家大卫.史密斯的全部作品。“——Michael Fried, Bookforum

大卫.史密斯(1906-1965)采用工厂的建造方法，以立体主义的遗产为基础，抛弃了欧洲的雕刻和铸造传统，改变了战后的雕塑。他的作品在绘画上与纽约画派是同时代的，他开创性地将雕塑置于自然环境中，这为当今雕塑和装置艺术奠定了基础。这三卷盒装书详细介绍了史密斯的雕塑作品。它现在是目录raisonné，取代了1977年罗莎琳德.e.克劳斯(Rosalind E. Krauss)建立的目录。由Christopher Lyon担任编辑，Susan J. Cooke担任研究编辑，这些卷还包含了Rebecca和Candida Smith的序言，Michael Brenson, Sarah Hamill, Marc-Christian Roussel, Christopher Lyon的随笔，以及Tracee Ng的年表。通过大量的文献和图像的复制，包括许多照片、绘画、素描和艺术家的草图，为史密斯的方法和创造性思维提供了新的见解。慷慨的设计和丰富的插图与精美的彩色复制，这个目录raisonné既是一个华丽的对象和一个必要的学术资源。

A monumental new work of scholarship on a luminary of twentieth-century art. 

“I’m not sure I have ever seen a catalogue raisonné as beautiful, as magnificent, as the new publication on the oeuvre of the great American sculptor David Smith. ”—Michael Fried, Bookforum. 

Embracing factory methods of construction, building on the legacy of cubism, and turning his back on European carving and casting traditions, David Smith (1906–1965) transformed postwar sculpture. His body of work, contemporary with the New York School in painting, and his pioneering placement of sculptures in a natural setting are foundational for present-day sculpture and installation art. This three-volume boxed set comprehensively details the entirety of Smith's sculptural oeuvre. It is now the definitive catalogue raisonné and supplants the one constructed by Rosalind E. Krauss in 1977. With Christopher Lyon as Editor and Susan J. Cooke as Research Editor, the volumes also contain a Foreword by Rebecca and Candida Smith, essays by Michael Brenson, Sarah Hamill, Marc-Christian Roussel, Christopher Lyon, and a chronology by Tracee Ng. Throughout the volumes, reproductions of documents and images, including many photographs, paintings, drawings, and sketches by the artist, offer fresh insights into Smith’s methods and creative thought. Handsomely designed and generously illustrated with fine color reproductions, this catalogue raisonné is both a sumptuous object and an essential scholarly resource.