预售 【中商原版】Fairey-isms 进口艺术 谢泼德 费尔雷主义 Princeton University Press
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Fairey-isms
谢泼德·费尔雷主义


ISBN:9780691271415
出版日期:2025年5月6日
页数:168
尺寸:4.25 x 5.25 英寸
出版社:Princeton University Press
页面参数仅供参考,具体以实物为准

谢泼德·费尔雷是当今最具影响力的街头艺术家、活动家和平面设计师之一。他那些辨识度极高的设计——例如“巨人安德烈的队伍”、“服从巨人”、奥巴马的“希望”海报以及2017年女性大游行的“我们人民”海报——已成为视觉文化中不可磨灭的一部分,出现在无数媒体上,包括贴纸、模板、印刷品、T恤、专辑封面、壁画和美术作品。《费尔雷语录》是一部引人入胜的语录集,收录了这位魅力非凡的艺术家的精彩语录。这些语录来自访谈、文章和其他资料,为我们深入了解他的人生和作品提供了丰富的视角,包括他对艺术、创造力、政治和宣传的思考,以及他对各种影响的反思——从滑板、The Clash乐队和Public Enemy乐队,到俄罗斯构成主义以及Futura、芭芭拉·克鲁格和安迪·沃霍尔等艺术家。
- “我经常在我的艺术作品中使用‘服从’这个词,这是一种反向心理战术。虽然大多数人都渴望独立,但许多人却会顺从地选择阻力最小的道路,并且不愿面对‘服从’这个词。”
- “任何值得传递的信息都可以通过艺术来放大。”
- “我之所以称我的作品为宣传作品,是因为我意识到这其中存在一种讽刺意味,因为每一件视觉传播作品都有其目的。任何一件作品都可以被称为宣传作品。”
- “重复有效。”
Shepard Fairey is one of today’s most important and influential street artists, activists, and graphic designers. His instantly recognizable designs—“André the Giant has a Posse,” “Obey Giant,” the Obama “Hope” poster, and the “We the People” posters for the 2017 Women’s March—have become an indelible part of visual culture, appearing in countless media, including stickers, stencils, prints, T-shirts, album covers, murals, and fine art. Fairey-isms is a compelling collection of quotations from this fascinating artist. Gathered from interviews, articles, and other sources, these quotations offer rich insights about his life and work, including his thoughts on art, creativity, politics, and propaganda and his reflections on his influences—from skateboarding, The Clash, and Public Enemy to Russian Constructivism and artists such as Futura, Barbara Kruger, and Andy Warhol.
- “I use the word ‘Obey’ in much of my art as a form of reverse psychology. Though most people wish they were independent, many obediently follow the path of least resistance and are uncomfortable with confronting the word ‘Obey.’”
- “Any message that’s worth delivering can be amplified with art.”
- “I called my work propaganda out of an understanding that there’s an irony, because every piece of visual communication has an agenda. Any of it could be called propaganda.”
- “Repetition works.”

谢泼德·费尔雷是一位街头艺术家、平面设计师、活动家,也是OBEY服装品牌和创意机构Studio Number One的创始人。他的作品经常在各大博物馆和画廊展出,他已在全球多个城市创作了超过130幅大型委托壁画,包括约翰内斯堡、洛杉矶、里斯本、伦敦、慕尼黑、巴黎和新加坡。拉里·沃什作为出版商和艺术家合作者,在艺术界活跃了三十余年。他编辑出版了多部书籍,包括《沃霍尔主义》、《巴斯奎特主义》 、 《哈林主义》、 《内沙特主义》、《霍尔泽主义》、《阿布拉莫维奇主义》和《JR主义》(均由普林斯顿大学出版社出版)。
Shepard Fairey is a street artist, graphic designer, activist, and founder of OBEY Clothing and the creative agency Studio Number One. His work is regularly exhibited at major museums and galleries, and he has painted more than 130 major commissioned murals in cities around the world, including Johannesburg, Los Angeles, Lisbon, London, Munich, Paris, and Singapore. Larry Warsh has been active in the art world for more than thirty years as a publisher and artist-collaborator. He is the editor of many books, including Warhol-isms, Basquiat-isms, Haring-isms, Neshat-isms, Holzer-isms, Abramović-isms, and JR-isms (all Princeton).




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