书名：Hilma af Klint: The Complete Catalogue Raisonne: Volumes I - VII / 希尔玛·阿夫·克林特：作品全集 第一卷至第七卷
定价：3200.0
ISBN：9789198523669
作者：Hilma af Klint
版次：1
出版时间：2022-11

内容提要：

题 目：Hilma af Klint: The Complete Catalogue Raisonne: Volumes I - VII / 希尔玛·阿夫·克林特：作品全集 第一卷至第七卷

作 者：Hilma af Klint

出 版：Bokforlaget Stolpe，2022

装 帧：精装，1569页

语 种：英文

尺 寸：25.5*33*25 cm

 

 

这部作品全集目录收录了抽象艺术先驱希尔马·阿夫·克林特（1862–1944）的全部作品。该全集共七卷，包含近1600件作品。

希尔马·阿夫·克林特已席卷艺术界。她曾经几乎无人知晓，如今却被列入最伟大的现代画家之列，其作品被视为开创性的。在她去世近80年后，她重新绘制了早期抽象艺术的地图——无论是在瑞典国内还是国际范围内。

“要看清那些以如此激动人心的方式反复出现的不同系列、母题与符号，一部作品全集目录是必不可少的。如果有人真想理解希尔马·阿夫·克林特的作品是如何运作的，他们就需要这套书。” Acute Art总监、斯德哥尔摩现代博物馆前馆长丹尼尔·比恩鲍姆说道。他与库尔特·阿尔姆奎斯特共同担任本套书的编辑。

前三卷——《灵性绘画1895–1910》《为神殿而作的画作1906–1915》与《蓝色笔记本》——已于2020年出版。第一卷呈现了名为“五人组”的艺术家团体（阿夫·克林特为其成员之一）所创作的15本素描本。这一时期构成了她抽象绘画以及后来导向其最重要系列——《为神殿而作的画作》——的重要起点。第二卷收录了这些画作，共193件作品，其中包括标志性的《十大尺寸》。

第三卷呈现了十本蓝色笔记本，希尔马·阿夫·克林特曾用这些笔记本展示《为神殿而作的画作》的小尺寸复制品，这是她旅行时向人们展示作品的一种便捷方式。根据阿夫·克林特本人的笔记，这些笔记本要等到她去世20年后才能被研究。

第四卷——《帕西法尔与原子1916–1917》——展示了《帕西法尔》和《原子》两个系列。《帕西法尔》系列的灵感源自亚瑟王传说，被解读为对内在领域的探索；而《原子》显然是对宇宙灵性结构的一种探索。

在1910年代末，希尔马·阿夫·克林特创作了若干系列小幅画作，用直尺和圆规探索抽象图像。这些作品收录于《几何级数与其它作品1917–1920》一卷中。

1922年，60岁的希尔马·阿夫·克林特完全放弃了她的几何方法，转而创作受人智学运动启发的水彩画。这一时期的作品收录在第六卷——《晚期水彩画1922–1941》中。

 

 

This catalogue raisonné contains the entire production of the abstract pioneer Hilma af Klint (1862–1944). The catalogue consists of seven volumes containing a total of nearly 1,600 works.

Hilma af Klint has taken the art world by storm. Once virtually unknown, she is now included among the greatest modern painters and her works are considered groundbreaking. Almost 80 years after her death, she has redrawn the map of early abstract art, both in Sweden and internationally.

”A catalogue raisonné is necessary in order to see the different cycles, motifs and symbols that recur in such an exciting way. If someone really wants to understand how Hilma af Klint’s works function, they need these books,” says Daniel Birnbaum, director of Acute Art and former director of Stockholm’s Moderna Museet, who was co-editor with Kurt Almqvist.

The first three volumes, Spiritualistic Drawings 1895–1910, The Paintings for the Temple 1906–1915 and The Blue Books, were published in 2020. The first volume presents the 15 sketchbooks produced by the group of artists known as The Five, which included af Klint. This period constitutes an important starting point for her abstract painting and for what would later lead to her most important series―The Paintings for the Temple. The second volume comprises these paintings, a total of 193 works, including the iconic The Ten Largest.

The third volume presents the ten blue books that Hilma af Klint used to show small copies of The Paintings for the Temple, an easy way to present her works to people when she traveled. According to af Klint’s own notes, these books were not intended to be studied until 20 years after her death.

The fourth volume, Parsifal and the Atom 1916–1917, shows the two series Parcifal and The Atom. The Parcifal series was inspired by the legend of King Arthur and has been interpreted as an investigation of inner realms, while The Atom is apparently an exploration of the spiritual structure of the universe.

At the end of the 1910s, Hilma af Klint created a number of series of small paintings in which abstract imagery is explored using a ruler and compass. These are presented in the volume Geometric Series and Other Works 1917–1920.

In 1922, at the age of 60, Hilma af Klint completely abandoned her geometric approach for watercolours inspired by the Anthroposophical movement. The works from this period are presented in the sixth volume, Late Watercolours 1922–1941.