Techniques of Drawing:

Historical Perspectives from Europe to Asia

绘画技巧: 从欧洲到亚洲的历史视角

出版商 : 阿什莫林博物馆

出版日期 : 2026年1月27日

语言 : 英语

印刷长度 : 144 页

ISBN-10 : ‎ 1910807680

ISBN-13 : ‎ 978-1910807682

商品重量 : 7.2 盎司

尺寸 : 10.39 x 0.71 x 7.76 英寸

页面参数仅供参考，具体以实物为准

这本修订和更新版的《绘画技巧》最初出版于 1999 年，早已绝版。它使用阿什莫林博物馆的藏品（包括精选集和鲜为人知的作品）概述了欧洲和亚洲的历史资料和绘画实践。这本修订和更新版的《绘画技巧》

最初出版于 1999 年，早已绝版。它使用阿什莫林博物馆的藏品（包括精选集和鲜为人知的作品）概述了欧洲和亚洲的历史资料和绘画实践。 这本最新版本的文字和插图有所扩展，涵盖了非西方艺术，包括日本、中国、印度和波斯艺术作品，还包括一些比第一版更现代的西方艺术作品，第一版只涵盖了 15 至 19 世纪的西方艺术。本书的范围进一步扩展，涵盖全球视角和20世纪，新增了“笔墨”等章节，涵盖中国山水画、日本植物作品，以及阿什莫林博物馆收藏的阿布·哈桑的莫卧儿印度绘画插图。此外，本书还新增了水粉画（不透明水彩）章节，这对于探讨中国、印度和波斯纸上绘画至关重要。

Originally published in 1999, and long out of print, this revised and updated version of Techniques of Drawing gives an overview of historical materials and drawing practices in Europe and Asia, using examples from the Ashmolean Museum, including highlights of the collection and lesser-known works.

Originally published in 1999, and long out of print, this revised and updated version of Techniques of Drawing gives an overview of historical materials and drawing practices in Europe and Asia, using examples from the Ashmolean Museum, including highlights of the collection and lesser-known works. This up to date edition expands the text and illustrations to include non-western art, including Japanese, Chinese, Indian and Persian works of art, also including some more modern western art works than the first edition, which only covered western art from the 15th to 19th centuries. Expanding the scope of the book to include global perspectives, and the 20th century, involves new sections such as ‘Brush and Ink’ which includes Chinese landscape drawings, Japanese botanical works, as well as illustrating the famous Mughal Indian drawing by Abu’l Hasan in the Ashmolean collection. The book also includes a new section on gouache (opaque watercolor) which will be important for discussing Chinese, Indian and Persian paintings on paper.

乌尔苏拉·威克斯是一位独立艺术史学家，曾任牛津阿什莫林博物馆版画室主管。她毕业于剑桥大学圣约翰学院和考陶尔德艺术学院，博士研究方向为早期欧洲版画，并以此为基础创作了她的处女作《早期雕刻家及其公众》（Brepols/Harvey Miller 2004）。之后，她获得了新德里英联邦博士后奖学金，并在印度居住期间，还曾担任尼赫鲁大学的客座教授。回到伦敦后，她在考陶尔德艺术学院担任了七年印度绘画副讲师，目前在维多利亚与阿尔伯特博物馆学院、伦敦艺术史学会和吉尔福德高中任教，并带领游客前往印度参观。她目前正在为Reaktion Books Ltd.撰写一本关于印度莫卧儿宫廷绘画的书籍。

Ursula Weekes is an independent art historian and former Supervisor of the Print Room at the Ashmolean Museum in Oxford. Educated at St John's College Cambridge and the Courtauld Institute of Art, her doctoral work was on early European printmaking and formed the basis of her first book, Early Engravers and their Public (Brepols/Harvey Miller 2004). She subsequently held a Postdoctoral Commonwealth Fellowship in New Delhi and while living in India, also taught as Visiting Faculty at Jawaharlal Nehru University. Since moving back to London, she has spent seven years as an Associate Lecturer in Indian Painting at the Courtauld Institute of Art, and now teaches for the V&A Academy, the London Art History Society, and Guildford High School, as well as leading tours to India. She is currently completing a book on Mughal Court Painting in India for Reaktion Books Ltd.