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Objects in Exile: Modern Art and Design across Borders、1930–1960 / 流亡之物:跨国现代艺术和设计、1930-1960年

520.00
运费: ¥ 9.00-46.00
Objects in Exile: Modern Art and Design across Borders、1930–1960 / 流亡之物:跨国现代艺术和设计、1930-1960年 商品图0
Objects in Exile: Modern Art and Design across Borders、1930–1960 / 流亡之物:跨国现代艺术和设计、1930-1960年 商品图1
Objects in Exile: Modern Art and Design across Borders、1930–1960 / 流亡之物:跨国现代艺术和设计、1930-1960年 商品图2
Objects in Exile: Modern Art and Design across Borders、1930–1960 / 流亡之物:跨国现代艺术和设计、1930-1960年 商品图3
Objects in Exile: Modern Art and Design across Borders、1930–1960 / 流亡之物:跨国现代艺术和设计、1930-1960年 商品图4
Objects in Exile: Modern Art and Design across Borders、1930–1960 / 流亡之物:跨国现代艺术和设计、1930-1960年 商品缩略图0 Objects in Exile: Modern Art and Design across Borders、1930–1960 / 流亡之物:跨国现代艺术和设计、1930-1960年 商品缩略图1 Objects in Exile: Modern Art and Design across Borders、1930–1960 / 流亡之物:跨国现代艺术和设计、1930-1960年 商品缩略图2 Objects in Exile: Modern Art and Design across Borders、1930–1960 / 流亡之物:跨国现代艺术和设计、1930-1960年 商品缩略图3 Objects in Exile: Modern Art and Design across Borders、1930–1960 / 流亡之物:跨国现代艺术和设计、1930-1960年 商品缩略图4

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书名:Objects in Exile: Modern Art and Design across Borders、1930–1960 / 流亡之物:跨国现代艺术和设计、1930-1960年
定价:520.0
ISBN:9780691232669
作者:Robin Schuldenfrei
版次:1
出版时间:2024-01

内容提要:

题 目:Objects in Exile: Modern Art and Design across Borders、1930–1960 / 流亡之物:跨国现代艺术和设计、1930-1960年

作 者:Robin Schuldenfrei

出 版:Princeton University Press2024

装 帧:精装,352页

语 种:英语

尺 寸:19*26.6 cm

 

 

In the fraught years leading up to World War II, many modern artists and architects emigrated from continental Europe to the United States and Britain. The experience of exile infused their modernist ideas with new urgency and forced them to use certain materials in place of others, modify existing works, and reconsider their approach to design itself. In Objects in Exile, Robin Schuldenfrei reveals how the process of migration was crucial to the development of modernism, charting how modern art and architecture was shaped by the need to constantly face—and transcend—the materiality of things.

 

Taking readers from the prewar era to the 1960s, Schuldenfrei explores the objects these émigrés brought with them, what they left behind, and the new works they completed in exile. She argues that modernism could only coalesce with the abandonment of national borders in a process of emigration and resettlement, and brings to life the vibrant postwar period when avant-garde ideas came together and emerged as mainstream modernism. Examining works by Walter Gropius, László Moholy-Nagy, Lucia Moholy, Herbert Bayer, Anni and Josef Albers, and others, Schuldenfrei demonstrates the social impact of art objects produced in exile.

 

Shedding critical light on how the pressures of dislocation irrevocably altered the course of modernism, Objects in Exile shows how artists and designers, forced into exile by circumstances beyond their control, changed in unexpected ways to meet the needs and contexts of an uncertain world.



















































































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Objects in Exile: Modern Art and Design across Borders、1930–1960 / 流亡之物:跨国现代艺术和设计、1930-1960年

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