书名：East Asian Aesthetics and the Space of Painting in Eighteenth-Century Europe / 18世纪欧洲的东亚美学与绘画空间
定价：498.0
ISBN：9781606067970
作者：Isabelle Tillerot
版次：1
出版时间：2024-01

内容提要：

题 目：East Asian Aesthetics and the Space of Painting in Eighteenth-Century Europe / 18世纪欧洲的东亚美学与绘画空间

作 者：Isabelle Tillerot

出 版：Getty Research Institute ，2024

装 帧：平装，272页

尺 寸：17.7*25.4 cm

 

 

本书深刻探讨了东亚空间观念如何改变了西方绘画。

 

本书首次批判性地阐述了东亚纺织品、瓷器和漆器的欧洲进口，以及新出版的关于中国园林的描述，是如何激发了近代早期欧洲绘画角色的革命性变化。伊莎贝尔·蒂勒洛特特别聚焦于法国室内装饰，揭示了欧洲对东亚文化的热情和对新奇事物的需求是如何改变了绘画与装饰之间的动态关系的。中国和日本物品及其装饰中所展示的空间、景观和地平线模型，颠覆了欧洲当时盛行的设计理念。绘画不再仅仅作为画面上的窗户，而是开始被视为挂在墙上的独立图像——由此，它们的地位也从装饰工具转变为独立的艺术作品。

 

本研究详细描述了这一转变的历史，揭示了摆脱对称和几何化秩序束缚的美学是如何颠覆了展示范式的，从而使欧洲绘画得以独树一帜。

 

An insightful look at how East Asian notions of space transformed Western painting.

 

This volume offers the first critical account of how European imports of East Asian textiles, porcelain, and lacquers, along with newly published descriptions of the Chinese garden, inspired a revolution in the role of painting in early modern Europe. With particular focus on French interiors, Isabelle Tillerot reveals how a European enthusiasm for East Asian culture and a demand for novelty transformed the dynamic between painting and decor. Models of space, landscape, and horizon, as shown in Chinese and Japanese objects and their ornamentation, disrupted prevailing design concepts in Europe. With paintings no longer functioning as pictorial windows, they began to be viewed as discrete images displayed on a wall—and with that, their status changed from decorative device to autonomous work of art.

 

This study presents a detailed history of this transformation, revealing how an aesthetic free from the constraints of symmetry and geometrized order upended paradigms of display, enabling European painting to come into its own.