书名：Post-Impressionism: Beyond Appearances / 后印象派：超越表象
定价：350.0
ISBN：9782370742568
作者：Jean-Remi Touzet, Estelle Begué, Jér?me Farigoule
版次：1
出版时间：2025-08

内容提要：

题目：Post-Impressionism: Beyond Appearances / 后印象派：超越表象

作者：Jean-Remi Touzet, Estelle Begué, Jér?me Farigoule 

出版：Editions Skira Paris，5025

装帧：精装，240页

语种：英文

尺寸：19.8*26.6*2.2 cm

A staggering showcase of Post-Impressionist paintings moving beyond naturalism toward the spiritual

Based on an exhibition organized by the Musée d’Orsay at the Louvre Abu Dhabi, this richly illustrated book focuses on the two bubbling decades between the mid-1880s and the mid-1900s, from the last collective exhibition of the Impressionists in 1886 to the Autumn Salon of 1905 marked by the "Fauves" scandal: Derain, Matisse, Vlaminck and their explosive colors.

The term "Post-Impressionism" was coined in 1910 by the English art critic Roger Fry, who was trying to find an expression that could describe Van Gogh, Cézanne, and Gauguin’s painting as well as that of Seurat, Sérusier, Denis and Redon. This catalog shows the full span of pictorial reactions to Impressionism with masterpieces from the Musée d’Orsay and insists on the richness and complexity of the Post-Impressionist constellation, seeking to highlight the intrinsic qualities of each painter’s work. Post-Impressionism: Beyond Appearances delves into the art of this fascinating and pivotal double decade, during which plastic expression gradually moved away from the representation of reality toward the expression of the psychic, emotional and spiritual worlds of the artists.

一场令人惊叹的后印象派绘画展，展示了其从自然主义迈向精神层面的超越。

本书图文并茂，基于奥赛博物馆在阿布扎比卢浮宫举办的一场展览，聚焦于19世纪80年代中期至20世纪00年代中期这充满活力的二十年——从1886年印象派最后一次集体展览，到1905年因“野兽派”丑闻而备受关注的秋季沙龙，其中德朗、马蒂斯、弗拉曼克及其作品中极具冲击力的色彩尤为引人注目。

“后印象派”一词由英国艺术评论家罗杰·弗莱于1910年提出，他试图用这一表述来概括梵高、塞尚、高更以及修拉、瑟拉西耶、德尼和雷东的绘画风格。本画册通过奥赛博物馆的杰作，全面呈现了对印象派的各种绘画回应，着重展现了后印象派这一艺术星群的丰富性与复杂性，并致力于凸显每位画家作品的内在特质。《后印象派：超越表象》深入探讨了这一迷人且关键的二十年的艺术，在这期间，造型表达逐渐从对现实的再现转向对艺术家内心、情感及精神世界的表达。