【中商原版】Guy Bourdin for Charles Jourdan 进口艺术 时尚摄影师盖 伯丁镜头下的Charles Jourdan
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商品详情
Guy Bourdin for Charles Jourdan
时尚摄影师盖 伯丁镜头下的Charles Jourdan

✦产品信息——
出版社 : Rizzoli (2024年 9月 3日)
语言 : 英语
精装 : 216页
ISBN-10 : 084783333X
ISBN-13 : 978-0847833337
商品重量 : 1.05 Kilograms
尺寸 : 21.92 x 2.67 x 30.4 cm
页面参数仅供参考,具体以实物为准
✦内容简介——
作为现代时尚摄影巨擘,伯丹以超现实主义的眼光审视查尔斯·乔丹的鞋子和时装。设计师与摄影师的这次开创性合作创造出了充满动感、色彩和性感的作品,至今仍对现代时尚摄影产生着深远的影响。20
世纪 60 年代末是法国时尚界活力的时期。伯丹和乔丹的合作捕捉到了当时的精神,这与当时任何其他创意合作伙伴都不同。乔丹是一位博学多识的人,既是时装设计师又是鞋子设计师,他聘请了当时时尚摄影师中真正的超现实主义者伯丹,并进行了创造性对话,直到乔丹 1976 年去世。
这里展出了 150 多张照片,其中许多从未发表过,充满了现代性和拜物教色彩,正是这些让乔丹的设计如此受追捧,伯丹的场面调度如此具有挑衅性。为了吸引人们注意女人的双脚和小腿的柔和隆起,模特穿着鞋子的双脚和小腿被剥离出来,并被带到了各种不同的场景中,这些中心人物的构图既色情又幽默,而且常常令人不安。
他们的合作充满挑逗性、寓言性、戏剧性,色彩浓烈、饱和度高,是战后时尚史上完美的合作。这本书首次完整呈现了这些作品,并深入了解了设计师和摄影师之间真正的思想交流。
A giant of modern fashion photography, Bourdin lent his surrealist eye to the shoes and fashions of Charles Jourdan. Creating compositions full of movement, color, and sensuality, this pioneering collaboration between designer and photographer still exerts a profound influence on modern fashion photography.
The late 1960s saw some of the most dynamic periods in French fashion. And the union between Bourdin and Jourdan captured the spirit of the moment unlike any other creative partnership of the era. Jourdan, a polymath who occupied the office of both couturier and shoe designer, tapped Bourdin, a true surrealist among the fashion photographers of the age, and engaged in a creative dialogue through to Jourdan’s passing in 1976.
Celebrated here are over 150 images, many never before published, full of the modernity and fetishism that made Jourdan’s designs so sought after, and Bourdin’s mise-en-scènes so provocative. To draw attention to the sweep of a woman’s feet and the gentle swell of her calves, the shod feet and lower leg of a mannequin are disembodied and transported to a variety of contexts, the central figures in compositions that are at once erotic, humorous, and often unsettling.
Provocative, fabulist, dramatic, and full of intense color and saturation theirs was as complete a collaboration as has ever been achieved in the history of postwar fashion. This book presents that work in its entirety for the very first time and provides insight into a true meeting of the minds between designer and photographer.










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