书名：哥特小说创作传统及其影响研究
定价：128.0
ISBN：9787301374979
作者：李伟昉 著
版次：1
出版时间：2026-07

内容提要：

本书将哥特小说置于西方文学文化发展史的宏大叙事传统中，力求从比较视域整体审视其文学传统的渊源、形成与流变，细致梳理和客观评价欧美哥特小说创作传统及其文化意蕴、世界性影响，探寻其在政治、文化、人性、生存本质等层面的普遍性价值，为丰富国内现有西方文学史著述的既有内容提供新视角，旨在建构更加完整、立体、多彩、互动、也更加切合实际的西方文学文化观念。重视哥特传统，有助于全面把握和深入体悟西方文学文化的完整性。

作者简介：
李伟昉，河南大学二级教授，河南大学明德特聘教授，河南大学学报编辑部主任、主编，河南大学“莎士比亚与跨文化研究中心”主任，河南大学中国语言文学博士点一级学科带头人，享受国务院政府特殊津贴专家，国家“万人计划”哲学社会科学领军人才，中宣部文化名家暨“四个一批”人才，国家有突出贡献中青年专家，全国优秀博士学位论文奖获得者，剑桥大学、哈佛大学访问学者，中国比较文学学会副会长，中国比较文学学会教学研究分会副会长，中国外国文学学会莎士比亚研究分会副会长，中国外国文学学会教学研究分会副会长，中国高等教育学会外国文学专业委员会副理事长，河南省优秀专家，河南省优秀共产党员，河南省学术技术带头人，河南省杰出专业技术人才，河南省特聘教授，首批“河南社科名家”，河南省高等学校教学名师，河南省首届中原教学名师，河南省外国文学与比较文学学会会长，全国高等学校文科学报研究会常务理事，河南省出版协会期刊分会副会长，主持完成3项国家社科基金项目（含重点1项），国家社科基金重大项目首席专家，出版学术专著11部，译著1部，在《中国社会科学》《文学评论》《外国文学评论》《文艺研究》《外国文学研究》《中国比较文学》等重要学术期刊发表论文多篇。

目录：

引　论······················································································ 1
第一节　何为哥特传统···························································· 2
第二节　关于哥特小说的形成与发展······································· 10
第三节　国内外哥特小说研究概况·········································· 16
第四节　创新价值和重要观点················································ 32
第五节 中国比较文学跨文化差异研究的基本立场 ······················37
第六节 实证方法与审美批评有机融合 ·····································44
第一章　英国哥特小说发生学研究············································· 48
第一节　社会与思想基础······················································· 48
第二节　古希腊罗马文学传统················································ 52
第三节　基督教文化传统······················································· 59
第四节　英国文学传统·························································· 75
第二章　 哥特小说：英国民族意识勃兴的文化符码······················ 80
第一节　英国民族意识的萌芽与哥特小说的背景························ 80
第二节　城堡、身份与焦虑··················································· 86
第三节　传统、先锋与同一··················································· 91
第三章　 莎士比亚作为“哥特诗人”的形成及其文化意义············ 97
第一节　莎士比亚：“哥特诗人”的形成与哥特小说创作·············· 98
第二节　莎士比亚：文学批评中的“哥特诗人”及其文化意义····· 105
第三节　民族主义与世界主义张力下的“哥特诗人”··················· 113
第四章　哥特小说中的阶级、性别与政体·································· 116
第一节　命运恐怖与阶级······················································ 117
第二节　权力崇高与政体······················································ 121
第三节　乱  伦暗恐与性别秩序··············································· 125
第五章　司各特历史小说与哥特小说········································· 130
第一节　司各特的历史小说创作············································ 131
第二节　隐藏于黑色背景下的历史回应··································· 136
第三节　司各特小说对哥特小说黑色情节的继承······················· 141
第六章　哥特小说与浪漫主义文学············································ 152
第一节　哥特小说与浪漫主义文学的关系································ 152
第二节　华兹华斯对哥特艺术的双重态度································ 166
第七章　德国文学的哥特传统·················································· 178
第一节　歌德、席勒与哥特小说············································ 179
第二节　霍夫曼与哥特小说·················································· 184
第三节　现实主义作家与哥特传统········································· 192
第四节　现代派作家与哥特传统············································ 196
第八章　法国文学的哥特传统·················································· 200
第一节　哥特小说在法国的接受············································ 200
第二节　法国哥特小说的政治色彩及盛行原因·························· 203
第三节　法国哥特小说的“内倾性”特征································ 209
第四节　乔治·桑与哥特小说··············································· 215
第五节　超现实主义：承上启下的文学流派····························· 248
第九章　美国文学的哥特传统·················································· 261
第一节　从模仿到改创························································· 261
第二节　欧文与哥特小说······················································ 266
第三节　爱伦·坡与哥特小说··············································· 269
第四节　霍桑与哥特小说······················································ 273
第五节　哥特小说的扩展与延伸············································ 276
第十章　拉美魔幻现实主义小说与哥特小说······························· 283
第一节　黑色艺术的影响与接受············································ 288
第二节　思想的共鸣与表达的差异········································· 302
第三节　哥特主题的拉美变异··············································· 317
第四节　魔幻与现实：二维空间的异质与同构·························· 330
第十一章　博尔赫斯与英国哥特小说········································· 345
第一节　“掰故事”与神奇魔幻叙事········································· 346
第二节　哥特式恐怖···························································· 350
第三节　 《圣马可的福  音书》及其意义···································· 353
结　语··················································································· 361
主要参考文献········································································· 364
后 记··················································································· 383