题 目：Picasso: The Figure / 毕加索：人物

作 者：Cecile Debray, Virginie Perdrisot

出 版：Editions Cahiers d'Art，2026

装 帧：精装，272页

语 种：英文

尺 寸：22.1*28.4*3 cm

一部关于毕加索在绘画、雕塑、素描、版画及陶瓷领域中对人体形态惊人探索的跨学科新指南，本书与阿布扎比卢浮宫联合出版。

本书图文并茂，追溯了巴勃罗·毕加索（1881–1973）在其艺术生涯各个阶段中处理具象问题的方法的演变——从蓝色时期和玫瑰时期修长而带有刻板仪式感的描绘，到立体主义充满动感的解构，再到1920年代巨大而丰腴的肉体形象，直至超现实主义时期及之后的混杂生物形象。本书汇集了来自国立巴黎毕加索博物馆、阿布扎比卢浮宫及其他机构的杰作，采用新颖的主题结构来组织内容。全书分为五个受神话启发的部分——“俄里翁”、“皮格马利翁”、“弥诺陶洛斯”、“杜卡利翁与皮拉”以及“毕加索的典范”——按时间顺序追溯了毕加索在绘画、雕塑、素描、版画和陶瓷等媒介中的具象创新。本书采用跨学科的研究方法，不仅收录了顶尖毕加索学者的论文，还邀请了身体史学家、人类学家和史前史学家撰稿。这些文章共同剖析了艺术家与神话及古代视觉语言之间严谨的对话——正是从这种对话中，诞生了毕加索那具有现代主义风格的人体表现方式。

A fresh, multidisciplinary guide to Picasso's staggering engagement with the human form across painting, sculpture, drawing, engraving and ceramics，Published with Louvre Abu Dhabi.

Amply illustrated, this volume traces Pablo Picasso's (1881–1973) evolving approach to figuration throughout the many stages of his work―from the elongated, hieratic renderings of the Blue and Rose Periods, to the dynamic deconstructions of Cubism, to the colossal fleshy bodies of the 1920s, to the hybrid beings of the Surrealist period and beyond. Yoking masterpieces from the Musée National Picasso, the Louvre Abu Dhabi and other institutions, Picasso: The Figure adopts a fresh thematic structure to its subject matter. Its five mythologically inspired sections―"Orion," "Pygmalion," "Minotaur," "Deucalion & Pyrrha" and "The Picasso Canon"―chronologically trace Picasso's figurative innovations across mediums, including painting, sculpture, drawing, engraving and ceramics. Multidisciplinary in approach, the volume features essays not only by leading Picasso scholars but also by historians of the body, anthropologists and prehistorians. Together, the essays dissect the artist's rigorous dialogue with the visual languages of mythology and antiquity from which his modernist representations of the human form emerged.