书名：The Readymade Century / 现成品的世纪
定价：135.0
ISBN：9783959051392
作者：Dieter Daniels
版次：1
出版时间：2017-03

内容提要：

题 目：The Readymade Century / 现成品的世纪

作 者：Dieter Daniels

出 版：Spector Books，2019

装 帧：平装，188页

语 种：英文

尺 寸：10.8*17.6 cm

 

 

当马塞尔·杜尚在一百年前发明现成品艺术时，谁也无法预料这些取自日常生活的寻常物件竟会对艺术产生如此深远的影响。《现成品的世纪》一书从两个维度剖析其现成品创作：第一部分《现成品索引》聚焦"现成品世纪"前五十年（1914-1964），追溯杜尚艺术理念的源起与内在逻辑；第二部分《现成品展陈》则梳理了该观念跨越时代的接受史。杜尚现成品限量复刻版的发行与安迪·沃霍尔《布里洛盒子》的展览，恰如一道转轴联结起这两个篇章——1964年这两场独立发生却时空交汇的事件，在现成品世纪的中叶划下转折点，至今仍与当代"已成品"艺术实践血脉相通。全书既蕴含理论思辨，亦展现视觉化的艺术叙事。

 

When Marcel Duchamp invented the readymade one hundred years ago, there was no way of knowing that these random objects taken from everyday life would have such a lasting influence on art. The book The Readymade Century examines his readymades from two perspectives: the Readymade Index investigates the genesis and consistency of Duchamp’s concept in the first fifty years (1914 – 1964) of the “readymade century”. The second part, Readymade Exposition, describes the history of its reception, which extends far beyond the artist’s lifetime. The edition of Duchamp’s readymades as multiples and the exhibition of Andy Warhol’s Brillo Boxes constitute the hinge between the two sections. Occurring at the same time – although independently of one another – these two events in 1964 mark a turning point in the middle of the readymade century that has direct relevance for contemporary artistic practices of the “already made”. The book combines theoretical reflection with the visual staging of art.