50位伟大艺术家绘画背后的调色板

The Artists Palette

●产品信息——

出版社：Thames and Hudson Ltd

出版日期：2024年10月3日

语言：英语

精装：256页

尺寸：21.4 x 27.3 cm

商品重量：1376 g

页面参数仅供参考，具体以实物为准

●内容简介——

书中展示了 50 位世界知名艺术家的调色板，以及他们使用这些色调创作的画作，并对所使用的色彩和笔触进行了分析，从而揭示了每位艺术家及其作品的惊人新故事。

这本具有启示意义的书所介绍的艺术家大致按时间顺序排列，从 17 世纪的艺术家一直到当今的艺术家，包括阿尔特米西亚-真蒂莱斯基、保罗-塞尚、贝尔特-莫里索、文森特-梵高、瓦西里-康定斯基、乔治亚-奥基夫和布里奇特-莱利。每位艺术家的调色板--无论是照片还是自画像中可见的调色板--都与该艺术家的一幅或多幅作品配对，这些作品反映了调色板上剩余颜料的颜色。色彩专家和艺术史学家亚历山德拉-洛斯克（Alexandra Loske）巧妙地分析了每位艺术家的调色板和笔触，不仅准确地揭示了他们在作品中使用色彩的方式，还讲述了他们使用色彩的历程以及他们的方法对其所属的更广泛文化的影响。例如，乔治-修拉将调色板上的颜料按棱镜顺序精心摆放，分离出各种颜色，并为每种颜色配上白色颜料。他的点彩画技法在他的调色板和画布上同样明显。凯瑞-詹姆斯-马歇尔在他的肖像画中，在黑人艺术家手持的象征性超大白色调色板表面上使用了锌白斑点和淡粉色涂抹，就色彩在黑人历史和西方白人艺术故事中的作用提出了具有启发性的问题。

《艺术家的调色板》将吸引艺术史读者、渴望更多了解伟大艺术家对色彩运用的广大读者，以及在创作中寻找灵感的业余画家。

The paint-loaded palettes of fifty world-renowned artists are displayed alongside the paintings the artists created using those hues, and the colours and brushstrokes employed are analysed to uncover surprising new stories about each artist and their work.

Presented broadly chronologically, the artists featured in this revelatory book range from those working in the 17th century to the present day, including Artemisia Gentileschi, Paul Cézanne, Berthe Morisot, Vincent Van Gogh, Wassily Kandinsky, Georgia O’Keeffe and Bridget Riley. Each artist’s palette – whether photographed or visible in self-portraits – is paired with one or more works by the artist that reflect the colours of the paint remaining on the palette. Colour expert and art historian Alexandra Loske skilfully analyses each artist’s colour palette and brushstrokes to reveal not only exactly how they used colour in their work but also to tell the story of their journey with colour and the influence of their approach on the wider culture to which they belonged. For example, Georges Seurat meticulously arranged the paints on his palette in prismatic order, isolating the colours and pairing each with a blot of white paint. His pointillist technique was equally apparent on his palette and his canvas. Kerry James Marshall uses blots of zinc white and smears of pale pink on the surfaces of symbolically oversized white palettes held by black artists in his portraits, raising provocative questions about the role of colour in the story of black history and white western art.

The Artist’s Palette will appeal to an art history audience, a wider audience eager to learn more about the use of colour by the great artists and amateur painters looking for inspiration in the creation of their own work.