Jan Henderikse: Mint

《简·亨德里克斯：薄荷》

出版商： SKIRA

发布日期： 2019年7月25日

语言： 英语

印刷长度： 299页

ISBN-10： 8857239810

ISBN-13： 978-8857239811

页面参数仅供参考，具体以实物为准

这是1960年后欧洲艺术界一位关键人物的作品。

荷兰艺术家扬·亨德里克塞是20世纪艺术界举足轻重的人物：自20世纪50年代以来，他的作品超越了绘画和雕塑的传统概念，重新定义了艺术图像的坐标。首先，他将画面简化为单色；然后，自1959年起，他开始运用非常规的材料和技法，创作出“整体式”的构图，这构成了他独特的艺术语言。亨德里克塞寻找日常生活中常见的物品（例如空箱子、瓶子、软木塞、车牌、硬币、纸币、玩具零件、旧照片等等），他认为这些物品蕴含着丰富的人性、情感和趣味，并将它们组合成拼贴画、系列作品、序列和多媒体装置，以展现这些物品所蕴含的直接意义。

扬·亨德里克塞（Jan Henderikse）1937年出生于荷兰代尔夫特，1959年移居科隆，不久后又迁至杜塞尔多夫。杜塞尔多夫是战后欧洲前卫艺术的中心之一，亨德里克塞在杜塞尔多夫结识了国际零社艺术家，并与德国零社艺术家君特·于克尔（Günther Uecker）建立了深厚的友谊。自1959年起，亨德里克塞发展出一种极具特色的视觉语言，专注于拼贴、现成品和装置艺术。1968年，亨德里克塞移居纽约，主要从事现成物品拼贴和摄影序列的创作。

他的作品被世界各地的博物馆收藏，并于2014年和2015年在纽约古根海姆博物馆、柏林马丁·格罗皮乌斯博物馆和阿姆斯特丹市立博物馆举办的零社展览中展出。这位艺术家目前在纽约布鲁克林和比利时安特卫普生活和工作。

The work by one of the key players in European art after 1960.

Dutch artist Jan Henderikse is a pivotal figure in twentieth-century art: since the 1950s, his work has developed beyond the traditional notions of painting and sculpture, to redefine the coordinates of artistic imagery. First, by neutralizing the surface into the monochrome; then, since 1959, by employing unconventional materials and techniques in “allover” compositions that mark his distinctive language. Looking for everyday used objects (such as empty crates, bottles, corks, license plates, coins, bills, parts of toys, found photographs, and others), which he perceives as loaded with human and emotional content and interest, Henderikse combines them into assemblages and serial accumulations, sequences and multimedia installations, in order to show the immediate power of their significance.

Born in Delft, the Netherlands, in 1937 Jan Henderikse Henderikse moved to Cologne in 1959, and shortly thereafter to Düsseldorf. While in Düsseldorf, one of the epicentres of the post-war European avant-garde, Henderikse made contact with the circle of international ZERO artists, and engaged in a close friendship with German ZERO-artist Günther Uecker. Starting in 1959, Henderikse developed a highly distinctive visual language, focusing on assemblages, readymades and installations. In 1968 Henderikse moved to New York, working mainly with assemblages of found objects and photographic sequences.

His works can be found in the collections of museums around the world, and in 2014 and 2015 were featured in the ZERO exhibitions at the Guggenheim Museum in New York, the Martin Gropius Bau in Berlin, and the Stedelijk Museum in Amsterdam. The artist currently lives and works in Brooklyn, New York and Antwerp, Belgium.