书名：情动与物性: 中国艺术中的情感/Affect and Materiality : Emotion in Chinese Art

作者：巫鸿、洪知希（Jeehee Hong）编

出版：Art Media Resources, 2025年

装帧：精装，408页

尺寸：18.2 × 26.7厘米

语种：英文

本书汇聚多位重要学者的研究成果，探讨从古至今中国视觉艺术中情感的表现、传达与理论化方式。本书源于2022年5月于芝加哥大学举办的“物性与情动：中国艺术中的情感”（Materiality and Affect: Emotion in Chinese Art）国际研讨会，由知名美术史学者巫鸿、洪知希联合主编，系统梳理并深化这一重要研究领域的讨论。

书中论文揭示了内在感受与外在形象之间的复杂关联，议题涵盖“情”的物性、“情感空间”的生成等多重视角。作者通过对文献、器物与图像的细致分析，展示了情感并非仅是个体或难以言说的经验，而是深植于社会、哲学与物质语境之中的。

以“情感”作为艺术及其历史的核心动力，《情动与物性》重新定义了视觉分析与文化阐释的可能性。对于艺术史、亚洲研究、哲学及视觉文化领域的学者与学生而言，本书是一部不可或缺的重要读物。

This volume brings together leading scholars to investigate how emotions are expressed, mediated, and theorized in the visual arts of China from antiquity to the modern era. Inspired by the “Materiality and Affect: Emotion in Chinese Art” symposium held at the University of Chicago in May 2022, co-editors Jeehee Hong and Wu Hung have compiled these scholarly studies into a new book that deepens and enriches understanding of this important field of study.

These essays illuminate the complex interplay between inner experience and external stimulus, exploring topics ranging from the materiality of qing (emotion) to the spatialization of the emotion-realm. Contributors analyze texts, objects, and images to reveal how emotions are not simply personal or ineffable, but are embedded in social, philosophical, and material contexts.

By foregrounding emotion as a dynamic, constitutive force in art and its histories, this collection redefines the possibilities of visual analysis and cultural interpretation. Affect and Materiality is indispensable reading for scholars and students of art history, Asian studies, philosophy, and anyone interested in the intersection of affect, materiality, and visual culture.

Introduction by Jeehee Hong and Wu Hung  9

1. Emotions through Mirrors: Some Reflections  23

2. The Sacrificial Body of Moye: Affect and Materiality in the Forging of Wu-Yue Swords  45

3. Archaeology of Emotion: Traces of Love in a Seventh-Century BCE Chinese Tomb  69

4. “Alas! How Sad It Is That Your Life Was Truncated”: Affect and Materiality in Li Jingxun’s Tomb  95

5. Affective Fish  123

6. The Wailing Cicada: How Did the Monochrome Ink Medium Acquire Its Voice, c. 1330?  153

7. What Does Calligraphy Convey? The Calligraphic Thought of Su Shi and Huang Tingjian  178

8. Emotions Perceived and Effaced in Xu Wei’s Calligraphy  199

9. Affective Impressions in Biographies of Seal Carvers  221

10. Engineering Religious Bliss at the Qing Court: The Jile shijie in Beihai Park  243

11. The Unfinished Business of Hongli’s Ink Painting  278

12. Happy Matter: Feng Zikai’s Glass Architecture and the De-lighted Crystalline Illumination  310

13. Ecstatic Forms: The Modern Art of the Apsarā in China and Japan  337

14. Theater of Emotion: The Affective Face in Republican Visual Culture  365

Index  390

About the Editors and Contributing Authors  408