陀思妥耶夫斯基的诗学问题 Problems of Dostoevskys Poetics 英文原版 Mikhail Bakhtin

基本信息

Format Paperback | 384 pages

Dimensions 152 x 229 x 20mm | 530.7g

Publication date 21 Jun 1984

Publisher University of Minnesota Press

Language English

ISBN10 0816612285

ISBN13 9780816612284

页面参数仅供参考，具体以实物为准

书籍简介

这本书不仅是 20 世纪对陀思妥耶夫斯基研究的重大贡献，也是本世纪产生的小说最重要的理论之一。 作为对诗学的现代重新诠释，它堪与亚里士多德相提并论。”巴赫金关于艺术创作的对话性的论述，以及将其与独白的评论史区别开来，极具原创性和启发性。这是陀思妥耶夫斯基对批判理论的重要性的声明。

” Edward Wasiolek“专注于‘陀思妥耶夫斯基式话语’的特殊特征，陀思妥耶夫斯基如何构建英雄和情节，以及对话式写作的意义，巴赫金总结了关于对话作为一种语言类别的重要理论陈述。其中最重要的一个本世纪小说的重要理论。” 布卢姆斯伯里评论

This book is not only a major twentieth-century contribution to Dostoevsky's studies, but also one of the most important theories of the novel produced in our century. As a modern reinterpretation of poetics, it bears comparison with Aristotle."Bakhtin's statement on the dialogical nature of artistic creation, and his differentiation of this from a history of monological commentary, is profoundly original and illuminating. This is a classic work on Dostoevsky and a statement of importance to critical theory.

" Edward Wasiolek"Concentrating on the particular features of 'Dostoevskian discourse,' how Dostoevsky structures a hero and a plot, and what it means to write dialogically, Bakhtin concludes with a major theoretical statement on dialogue as a category of language. One of the most important theories of the novel in this century." The Bloomsbury Review

作者简介

米哈伊尔·米哈伊洛维奇·巴赫金（Mikhail Mikhailovich Bakhtin，1895 年 11 月 16 日 [O.S. 4 月 4 日] – 1975 年 3 月 7 日 [2]）是一位俄罗斯哲学家、文学评论家和学者，致力于文学理论、伦理学和语言哲学。 他关于各种主题的著作启发了从事不同传统（马克思主义、符号学、结构主义）和文学批评、历史、哲学、社会学、人类学和心理学等不同学科的学者。 尽管巴赫金在 1920 年代苏联的美学和文学辩论中很活跃，但直到 1960 年代被俄罗斯学者重新发现后，他的独特地位才为人所知。

Mikhail Mikhailovich Bakhtin (16 November [O.S. 4 November] 1895 – 7 March[2] 1975) was a Russian philosopher, literary critic and scholar who worked on literary theory, ethics, and the philosophy of language. His writings, on a variety of subjects, inspired scholars working in a number of different traditions (Marxism, semiotics, structuralism, religious criticism) and in disciplines as diverse as literary criticism, history, philosophy, sociology, anthropology and psychology. Although Bakhtin was active in the debates on aesthetics and literature that took place in the Soviet Union in the 1920s, his distinctive position did not become well known until he was rediscovered by Russian scholars in the 1960s.