Gothic Sculpture

《哥特式雕塑》

出版社 : Yale University Press (2019年6月25日)

语言 : 英语

精装 : 296页

ISBN-10 : 0300241437

ISBN-13 : 978-0300241433

商品重量 : 1.25 kilograms

尺寸 : 19.81 x 2.29 x 26.67 cm

页面信息仅供参考，具体以实物为准

内容简介

在这项图文并茂的研究中，保罗-宾斯基对约1000年至1500年间英格兰和西北部欧洲的雕塑进行了新的描述，将罗马式和哥特式艺术作为一种劝说的形式进行研究。宾斯基将修辞学分析应用于威尔斯、威斯敏斯特、孔波斯特拉、兰斯、沙特尔和纳姆伯格等地的各种石雕和木雕。他认为，中世纪雕塑不仅传递信息，而且为构成其观众的主体创造了经验。宾斯基不排斥哥特式艺术的知识野心，他认为表面效果、装饰、色彩、多样性和不和谐的东西有多种用途。在批判近代雕塑和相关艺术的情感和物质主义描述时，他提出所有材料都是由人类的意向性和人工塑造的，具有 "诗意"。宾斯基探索了成长、变化和衰败的意象，以及恐惧和快乐的力量，让我们在对文物的近距离阅读中使用中世纪的语言和思想。

In this beautifully illustrated study, Paul Binski offers a new account of sculpture in England and northwestern Europe between c. 1000 and 1500, examining Romanesque and Gothic art as a form of persuasion. Binski applies rhetorical analysis to a wide variety of stone and wood sculpture from such places as Wells, Westminster, Compostela, Reims, Chartres, and Naumberg. He argues that medieval sculpture not only conveyed information but also created experiences for the subjects who formed its audience. Without rejecting the intellectual ambitions of Gothic art, Binski suggests that surface effects, ornament, color, variety, and discord served a variety of purposes. In a critique of recent affective and materialist accounts of sculpture and allied arts, he proposes that all materials are shaped by human intentionality and artifice, and have a “poetic.” Exploring the imagery of growth, change, and decay, as well as the powers of fear and pleasure, Binski allows us to use the language and ideas of the Middle Ages in the close reading of artifacts.