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Raphael's Tapestries: The Grotesques of Leo X 拉斐尔的挂毯:教宗利奧十世的怪诞风格

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Raphael's Tapestries: The Grotesques of Leo X 拉斐尔的挂毯:教宗利奧十世的怪诞风格 商品图0
Raphael's Tapestries: The Grotesques of Leo X 拉斐尔的挂毯:教宗利奧十世的怪诞风格 商品图1
Raphael's Tapestries: The Grotesques of Leo X 拉斐尔的挂毯:教宗利奧十世的怪诞风格 商品图2
Raphael's Tapestries: The Grotesques of Leo X 拉斐尔的挂毯:教宗利奧十世的怪诞风格 商品图3
Raphael's Tapestries: The Grotesques of Leo X 拉斐尔的挂毯:教宗利奧十世的怪诞风格 商品图4
Raphael's Tapestries: The Grotesques of Leo X 拉斐尔的挂毯:教宗利奧十世的怪诞风格 商品图5
Raphael's Tapestries: The Grotesques of Leo X 拉斐尔的挂毯:教宗利奧十世的怪诞风格 商品缩略图0 Raphael's Tapestries: The Grotesques of Leo X 拉斐尔的挂毯:教宗利奧十世的怪诞风格 商品缩略图1 Raphael's Tapestries: The Grotesques of Leo X 拉斐尔的挂毯:教宗利奧十世的怪诞风格 商品缩略图2 Raphael's Tapestries: The Grotesques of Leo X 拉斐尔的挂毯:教宗利奧十世的怪诞风格 商品缩略图3 Raphael's Tapestries: The Grotesques of Leo X 拉斐尔的挂毯:教宗利奧十世的怪诞风格 商品缩略图4 Raphael's Tapestries: The Grotesques of Leo X 拉斐尔的挂毯:教宗利奧十世的怪诞风格 商品缩略图5

商品详情

书名:Raphael's Tapestries: The Grotesques of Leo X  
定价:468.0  
ISBN:9780300181999  
作者:Lorraine Karafel  
版次:1  
出版时间:2017-01  

内容提要:  

书名:Raphael's Tapestries: The Grotesques of Leo X

作者:Lorraine Karafel

出版:Yale University Press,2017

装帧:精装,200页,100幅彩图+40幅黑白图

语种:英文

开本:24×28.5cm


Around 1515, Raphael (1483-1520) designed a set of tapestries for Leo X, the first Medici pope. Each was sumptuously woven in gold, silver, and silk, and depicted scenes from classical mythology with inventive grotesques. Now lost, these spectacular, grand-scale textiles are reconstructed in Raphael’s Tapestries and set among a series of unprecedented decorative projects that Pope Leo commissioned from the artist.  Likely produced by the Brussels weaver Pieter van Aelst, the tapestries pioneered a new all’antica style analogous with contemporary painted and sculpted interior programs. Tapestries played a central role at Leo’s court, as spectacle and as propaganda, and the Grotesques of Leo X would inform tapestry design for the next three centuries. Their beauty and complexity rivaled those of contemporary painting, and their luxurious materials made them highly prized. With this new study, the Grotesques take their rightful place as Renaissance masterworks and as documents of the fervent humanist culture of early 16th-century Rome.





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