书名：Harmony and Dissonance: Orphism in Paris, 1910-1930 / 和谐与不和谐：巴黎的俄耳甫斯主义，1910-1930
定价：480.0
ISBN：9780892075645
作者：Vivien Greene
版次：1
出版时间：2025-01

内容提要：

书名：Harmony and Dissonance: Orphism in Paris, 1910–1930 / 和谐与不和谐：巴黎的俄耳甫斯主义，1910–1930
编者：Vivien Greene
出版社：Guggenheim Museum Publications (由 Artbook / D.A.P. 发行)，2024年
装帧：精装，216页
语种：英文
尺寸：约 24.3*29.7 cm（9.55 x 11.70 英寸）
ISBN：978-0-89207-564-5

简介

这是第一本深入探讨俄耳甫斯主义（Orphism）先锋艺术的出版物，为配合2024年11月8日至2025年3月9日在纽约古根海姆博物馆举办的同名展览而出版。俄耳甫斯主义于1910年代初在巴黎的国际化艺术家群体中兴起。当时现代生活的革新彻底改变了人们对时间和空间的认知，这些艺术家在万花筒般的构图中探索“同时性”理念，研究色彩、形式和运动的变革潜力。他们的作品常以璀璨的彩色圆盘为特征，唤起多感官体验；当推向极致时，俄耳甫斯主义便指向了完全抽象。“俄耳甫斯主义”一词由同时代诗人纪尧姆·阿波利奈尔创造，用以描述这种背离立体主义、走向物理与精神超越的艺术。这一概念回溯至希腊神话中的诗人和竖琴演奏者俄耳甫斯，其音乐曾战胜死亡。本书通过16篇图文并茂的文章，追溯俄耳甫斯主义的根源，探索其跨学科影响，并审视其跨国界的回响。书中收录了90多件多种媒介的作品，重点介绍了罗伯特·德劳内、索尼娅·德劳内、弗朗齐歇克·库普卡、弗朗西斯·毕卡比亚等知名艺术家，同时也发掘了梅尼·杰利特、摩根·拉塞尔、阿马德奥·德·索萨-卡多佐等较少为人所知的艺术家。

The first publication of its kind, connecting a constellation of artists working at the forefront of abstraction in the early 20th century. Orphism emerged among a cosmopolitan group of artists active in Paris in the early 1910s, as the innovations of modern life radically altered conceptions of time and space. Engaged with ideas of simultaneity in kaleidoscopic compositions, these artists investigated the transformative possibilities of color, form and motion. Often featuring disks of brilliant color, their work evoked multisensory experiences. When pushed to its limits, Orphism signaled total abstraction. The poet Guillaume Apollinaire, a contemporary, coined the term "Orphism" to describe this move away from Cubism, toward a physically and spiritually transcendent art. His concept referred back to the Greek mythological poet and lyre player Orpheus, whose music thwarted death. The first in-depth examination of the Orphist avant-garde, this revelatory exhibition catalog contextualizes Orphism, tracing its roots, exploring its cross-disciplinary reach and considering its transnational reverberations across 16 illustrated texts by a multigenerational group of authors from different fields. Incisive essays offer new perspectives, delineating Orphism's connection to music, dance and poetry, and investigating the historical and cultural circumstances that shaped its ethos. More than 90 artworks in multiple mediums are punctuated by micro-narratives that view select artists through the Orphist lens, presenting original scholarship on well-known figures such as Robert Delaunay, Sonia Delaunay, Franti?ek Kupka and Francis Picabia while also illuminating lesser-known ones such as Mainie Jellett, Morgan Russell and Amadeo de Souza-Cardoso.