书名：Filippino Lippi and Rome / 菲利皮诺·利皮与罗马
定价：280.0
ISBN：9780300286472
作者：Alexander J Noelle
版次：1
出版时间：2026-03

内容提要：

题 目：Filippino Lippi and Rome / 菲利皮诺·利皮与罗马

作 者：Alexander J Noelle

出 版：Cleveland Museum of Art，2026

装 帧：精装，160页

语 种：英文

尺 寸：23.9*31.3*1 cm

 

 

对菲利皮诺·利皮 transformative 的罗马时期及其创新风格后续演变的再审视——以克利夫兰藏其《圣家族》圆画为例：这件杰作体现了艺术家职业生涯这一关键阶段的风貌

1488年至1493年间，佛罗伦萨重要艺术家菲利皮诺·利皮（约1457–1504）移居罗马，在那不勒斯红衣主教奥利维耶罗·卡拉法位于多明我会主要教堂神庙圣母堂的葬礼礼拜堂中，完成了他的著名壁画。在此期间，菲利皮诺还为卡拉法绘制了一幅壮丽的圆画：《圣家族与施洗者圣约翰及圣玛格丽特》。本书以这件开创新篇的作品为核心，追溯了菲利皮诺在罗马时期之前、期间及之后艺术实践的轨迹，阐明其创作手法与图像学独创性的演变。这部深入研究提出了新的学术观点，探讨菲利皮诺在永恒之城获得的灵感，以及这件《圣家族》圆画——已知菲利皮诺在罗马创作的唯一独立作品——如何影响了从拉法埃利诺·德尔·加博到扬·戈塞特，再到莱奥纳多·达·芬奇等艺术家。此外，本书中的论文与词条还利用了最新的技术分析，首次揭示了这幅圆画的底稿与修改痕迹，为菲利皮诺的绘画技法提供了新的认识。这些文本还附有一份关于该作品在19世纪初重新发现的记录，以及最终导致其于1932年被克利夫兰艺术博物馆收藏的戏剧性事件叙述。

展览日程：

克利夫兰艺术博物馆

2025年11月30日 – 2026年2月22日

 

A reconsideration of Filippino Lippi’s transformative Roman period and the ensuing evolution of his innovative style, as reflected in his Holy Family tondo in Cleveland—a masterpiece that exemplifies this pivotal phase in his career

Between 1488 and 1493, leading Florentine artist Filippino Lippi (ca. 1457–1504) relocated to Rome to complete his celebrated frescoes in the funerary chapel of Neapolitan cardinal Oliviero Carafa in the major Dominican church of Santa Maria Sopra Minerva. During this time, Filippino also painted a magnificent tondo for Carafa: The Holy Family with Saint John the Baptist and Saint Margaret. Focusing on this seminal work in his oeuvre, Filippino Lippi and Rome traces the arc of the painter’s artistic practice before, during, and after his Roman period, illuminating the evolution of his processes and iconographic ingenuities. This in-depth study presents new scholarship on the inspiration Filippino found in the Eternal City and how The Holy Family tondo—the only known independent work produced by Filippino in Rome—influenced artists from Raffaellino del Garbo to Jan Gossaert to Leonardo da Vinci. Moreover, the essays and catalogue entries in this volume draw on recent technical analyses that had, for the first time, revealed the tondo’s underdrawing and pentimenti, shedding new light on Filippino’s painting techniques. These texts are accompanied by a chronicle of the work’s rediscovery at the start of the nineteenth century and the dramatic turn of events that led to its acquisition by the Cleveland Museum of Art in 1932.

Exhibition Schedule:

Cleveland Museum of Art

(November 30, 2025–February 22, 2026)