Michelangelo Imperfect

米开朗基罗的不完美

出版商 : Strandberg Publishing

出版日期 : ‎ 2025年9月4日

版本 ‏ : ‎ 1st

语言 ‏ : 英语

印刷长度 : ‎ 396 页

ISBN-10 ‏: ‎ 8775512289

ISBN-13 ‏ : ‎ 978-8775512287

商品重量 : 1.16 公斤

尺寸 : 17.5 x 4 x 24.5 厘米

页面参数仅供参考，具体以实物为准

本书全面记述了米开朗基罗的雕塑生涯以及他的作品在现代的繁衍。

米开朗基罗·博那罗蒂 (1475-1564) 创造了现代艺术。如果我们要指出一位艺术家对确立艺术是自我表达这一当今普遍观念负责，那就是他。尽管米开朗基罗在其他艺术形式上取得了成功，但他主要将自己视为一名雕塑家。《不完美的米开朗基罗》以哥本哈根皇家铸模收藏为基础，辅以全新的复制品，讲述了他的雕塑作品及其在现代的繁衍。

本书讲述了米开朗基罗的雕塑生涯、他的生活和实践，以及他的作品在现代以铸模和其他复制品形式繁衍的故事。五篇文章探讨了作者身份、原创性和真实性以及十九世纪铸模收藏的建立和目的等问题。除此之外，本书还收录了米开朗基罗的几乎所有雕塑作品，并详细重新审视了他的几个主要项目。

A sweeping account of Michelangelo's life as a sculptor and the multiplication of his work in the modern era

Michelangelo Buonarroti (1475–1564) made modern art. If we were to point to a single artist responsible for establishing the notion of art as self-expression, a commonplace today, it would be he. Despite his successes in other art forms, Michelangelo regarded himself primarily as a sculptor. Based on The Royal Cast Collection in Copenhagen, supplemented by completely new reproductions. Michelangelo Imperfect tells the story of his sculpture and its multiplication in the modern era.

The book tells the story of Michelangelo’s career as a sculptor, his life and practice, as well as that of the multiplication of his work in the form of casts and other reproductions in the modern era. Questions of authorship, originality and authenticity as well as the establishment and purpose of cast collections in the nineteenth century are addressed in five essays. In addition to this, the book catalogues almost all of Michelangelo’s sculptural works, reexamining several of his major projects in detail.

马蒂亚斯·维维尔是哥本哈根新嘉士伯艺术博物馆的研究主管。此前，他曾担任伦敦国家美术馆十六世纪意大利绘画策展人，策划或联合策划了“米开朗基罗与塞巴斯蒂亚诺”（2017年）、“洛伦佐·洛托肖像”（2018-19年）、“提香：爱、欲望、死亡”（2020-21年）、“拉斐尔”（2022年）以及“帕米贾尼诺——圣杰罗姆的幻象”（2024-25年）等展览。

Matthias Wivel is Head of Research at Ny Carlsberg Glyptotek, Copenhagen. In his previous post as Curator of Sixteenth-Century Italian Paintings at the National Gallery, London, he curated or co-curated the exhibitions Michelangelo & Sebastiano (2017), Lorenzo Lotto Portraits (2018–19), Titian: Love, Desire, Death (2020–21), Raphael (2022), and Parmigianino – The Vision of Saint Jerome (2024–25).