Women Reframe American Landscape

女性重塑美国景观

•产品信息——

出版社：Hirmer Publishers

出版日期：2023年6月

语言：英语

页数：128页

ISBN-10：3777440396

ISBN-13：978-3777440392

尺寸：262mm x210mm

页面参数仅供参考，具体以实物为准

•内容简介——

扩展了美国风景艺术的经典，阐明了女性艺术家的贡献。

本书阐释了女性的艺术贡献和观点，将 19 世纪重要的美国艺术家苏西·巴斯托 (Susie Barstow) 重新融入哈德逊河画派的历史中，并介绍了拓展我们今天对“土地”和“景观”看法的当代艺术家。 它引入了多代人的视角，展开了一种扩展的叙事，使女性重新回到美国风景艺术的经典之中。

苏西·巴斯托（Susie Barstow，1836-1922 ）在其一生中都有很出名，与哈得逊河画派艺术家阿舍·B·杜兰德 (Asher B. Durand) 和阿尔伯特·比尔施塔特 (Albert Bierstadt) 一起广为人知，但后来从美国艺术史中删除。 它进一步探讨了当今艺术家如何通过多学科的艺术实践和多样化的观点使景观复杂化并挑战景观。 特色当代艺术家包括特雷西塔·费尔南德斯 (Teresita Fernández)、玛丽·洛伦茨 (Marie Lorenz)、坦尼娅·马尔库塞 (Tanya Marcuse)、玛丽·马丁利 (Mary Mattingly)、埃博尼·G·帕特森 (Ebony G. Patterson)、安娜·普莱塞特 (Anna Plesset)、温迪·红星 (Wendy Red Star)、Jaune Quick-to-See Smith、塞西莉亚·维库尼亚 (Cecilia Vicuña)、凯·沃克 (Kay WalkingStick) 和 Saya Woolfalk。

托马斯·科尔国家历史遗址和新不列颠美国艺术博物馆举办的展览“女性重塑美国景观”包括新的研究、策展人的原创文章以及艺术家的文本和图画。

Expands the canon of American landscape art to illuminate the contributions of women artists.

Illuminating the artistic contributions and perspectives of women, this book reinserts the important 19th-century American artist Susie Barstow into the history of the Hudson River School and presents contemporary artists who expand how we think about “land” and “landscape” today. Engaging multigenerational perspectives, it launches an expanded narrative that recenters women in the canon of American landscape art.

Well known during her lifetime, Susie Barstow (1836-1922) was widely celebrated and exhibited alongside Hudson River School artists Asher B. Durand and Albert Bierstadt but was later erased from American art history. It further explores how artists working today complicate and challenge landscape through multi-disciplinary artistic practices and diverse viewpoints. Featured contemporary artists include Teresita Fernández, Marie Lorenz, Tanya Marcuse, Mary Mattingly, Ebony G. Patterson, Anna Plesset, Wendy Red Star, Jaune Quick-to-See Smith, Cecilia Vicuña, Kay WalkingStick, and Saya Woolfalk.  

Women Reframe American Landscape, which accompanies an exhibition at the Thomas Cole National Historic Site and the New Britain Museum of American Art, includes new research, original essays by the curators, and texts and plates by the artists.