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嘉德文库|The Moment of Caravaggio 卡拉瓦乔时刻

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商品详情

图书基本信息

The Moment of Caravaggio (The A. W. Mellon Lectures in the Fine Arts)
作者: Michael Fried
ISBN: 9780691147017
类型: 精装(精装书)
语种: 英语(English)
出版日期: 2010-08-17
出版社: Princeton University Press
页数: 328
重量(克): 1759
尺寸: 28.4988 x 21.844 x 3.3528 cm

商品简介
Presents an account of the Italian Baroque painter Michelangelo Merisi da Caravaggio (1573-1610) and the artist's revolutionary achievement. This book focuses on the emergence of the full-blown 'gallery picture' in Rome during the last decade of the sixteenth century and the first decades of the seventeenth.
书评与摘要

A richly illustrated reevaluation of Caravaggio from one of today's leading art historians


This is a groundbreaking examination of one of the most important artists in the Western tradition by one of the leading art historians and critics of the past half-century. In his first extended consideration of the Italian Baroque painter Michelangelo Merisi da Caravaggio (1573-1610), Michael Fried offers a transformative account of the artist's revolutionary achievement. Based on the A. W. Mellon Lectures in the Fine Arts delivered at the National Gallery of Art, The Moment of Caravaggio displays Fried's unique combination of interpretive brilliance, historical seriousness, and theoretical sophistication, providing sustained and unexpected readings of a wide range of major works, from the early Boy Bitten by a Lizard to the late Martyrdom of Saint Ursula. And with close to 200 color images, The Moment of Caravaggio is as richly illustrated as it is closely argued. The result is an electrifying new perspective on a crucial episode in the history of European painting. 


Focusing on the emergence of the full-blown gallery picture in Rome during the last decade of the sixteenth century and the first decades of the seventeenth, Fried draws forth an expansive argument, one that leads to a radically revisionist account of Caravaggio's relation to the self-portrait; of the role of extreme violence in his art, as epitomized by scenes of decapitation; and of the deep structure of his epoch-defining realism. Fried also gives considerable attention to the art of Caravaggio's great rival, Annibale Carracci, as well as to the work of Caravaggio's followers, including Orazio and Artemisia Gentileschi, Bartolomeo Manfredi, and Valentin de Boulogne.


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嘉德文库|The Moment of Caravaggio 卡拉瓦乔时刻

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