Presence Of The Past In French Art

法国艺术中的过去

产品信息

出版社 ‏ : ‎ Yale University Press (2021年11月23日)

语言 ‏ : ‎ 英语

精装 ‏ : ‎ 288页

ISBN-10 ‏ : ‎ 0300257104

ISBN-13 ‏ : ‎ 978-0300257106

商品重量 ‏ : ‎ 1.62 kilograms

尺寸 ‏ : ‎ 22.86 x 3.81 x 27.94 cm

页面信息仅供参考，具体以实物为准

内容简介

对十九世纪末和二十世纪初法国艺术的研究往往集中在对现代的寻找上。理查德-汤姆森对艺术史上的一个流行时期提出了一种创新的方法，而是研究第三共和国早期法国的艺术如何适应过去的风格。古典主义是主要的主题，由其他风格的潮流所点缀，特别是鲁本主义和波提切利主义。它问道，这些风格--所有这三种风格都来自于外国艺术--是如何被纳入法国视觉文化的？共和国是如何根据其意识形态的目的定制古典主义的？古典主义是如何被进步的画家们操纵来进行激进和反动的解读的？考虑了不同性格和类型的艺术家--从德加到亨纳、塞尚到贝斯纳、罗蒂到修拉、达鲁到马约，以及各种媒体，包括绘画、雕塑、奖章和名人照片，为这个迷人的领域打开了新的解释视野。

The study of late nineteenth- and early twentieth-century French art tends to focus on a search for the modern. Richard Thomson presents an innovative approach to a popular period of art history, instead investigating how art in early Third Republic France adapted styles from the past. The classical is the predominant theme, punctuated by other stylistic currents, notably the Rubensian and the Botticellian. It asks, how did these styles—all three derived from foreign art—come to be adapted into French visual culture? How did the Republic customise classicism to its ideological ends? How was classicism manipulated by progressive painters for radical and reactionary readings? The Presence of the Past in French Art 1870–1905 considers artists of very different character and type—from Degas to Henner, Cézanne to Besnard, Roty to Seurat, Dalou to Maillol—as well as a variety of media, including painting, sculpture, medals and celebrity photographs, to open up new vistas of interpretation in this fascinating field.