题 目：Gerhard Richter Catalogue Raisonne, Vol. 6, Nos. 900–957, 2007–2019 / 格哈德·里希特作品全集 卷6  编号900-957 2007-2019年

作 者：Dietmar Elger

出 版：Hatje Cantz,2022

装 帧：精装,528页

语 种：英文

尺 寸：25.7 x 30.1 x 4.8 cm

The sixth installment in Hatje Cantz's epic multivolume project, with works from the past two decades

This sixth volume of the Gerhard Richter catalogue raisonné includes a look into Richter's (born 1932) most recent works, from 2007 to 2019, and documents new methods and experimentation. New works include the window at Cologne Cathedral (2007), a two-year project using almost 11,500 squares of multicolored glass created with medieval processes; the Sinbad series (2008), a collection of vivid reverse glass paintings exhibited in duos; the Strip Paintings (2010–11), made through a process of digital printing, which fruitfully expand the notion of what defines a "painting" in the digital era; and the Birkenau (2014) paintings, based on four photographs taken by inmates of Birkenau concentration camp, copied onto canvas and painted over by Richter. These projects, among a variety of others, are presented alongside extensive technical information on all works, including details of the artist's handwritten notes. Comments, quotations and comparative illustrations supplement the information on the works and serve as a reminder of Richter's place among the most important artists alive today.

这是Hatje Cantz 宏大的多卷本项目中的第六卷，收录了过去二十年的作品。

这部格哈德·里希特（Gerhard Richter）作品全集的第六卷，聚焦里希特（1932年出生）2007年至2019年的最新作品，记录了他新的创作方法与实验探索。新作品包括科隆大教堂的窗户（2007年）——这是一个耗时两年的项目，采用近11500块彩色玻璃，以中世纪工艺制作而成；《辛巴达》系列（2008年）——一组色彩鲜明的反画玻璃作品，以成对形式展出；《条纹画》（2010-2011年）——通过数字印刷工艺创作，有力地拓展了数字时代对“绘画”定义的概念；以及《比克瑙》（2014年）系列画作——基于比克瑙集中营囚犯拍摄的四张照片，里希特将其复制到画布上并进行覆盖创作。除了这些项目外，书中还呈现了其他各类作品的详尽技术信息，包括艺术家手写笔记的细节。评论、引文和对比插图对作品信息进行了补充，也让人铭记里希特在当今在世最重要艺术家之列的地位。