After Impressionism - Inventing Modern Art

印象派之后：发明现代艺术

出版社 ‏ : ‎ National Gallery London (2023年5月23日)

语言 ‏ : ‎ 英语

精装 ‏ : ‎ 272页

ISBN-10 ‏ : ‎ 1857096959

ISBN-13 ‏ : ‎ 978-1857096958

商品重量 ‏ : ‎ 788 g

页面信息仅供参考，具体以实物为准

内容简介

在19世纪80年代，西方艺术中的表现、意义和过程的本质受到了深刻的质疑。对外部世界的合理表述被抛在一边，支持以不同程度的非自然主义表达，从对现实的适度歪曲到纯粹的抽象。

随后的几十年，直到1914年世界大战爆发，是一个复杂、充满活力的艺术质疑、探索、冒险和创新的时期。本书集中于这一巨大的动荡时期，将探讨绘画和雕塑之间的建设性对话，以及那个时代的三位巨人保罗-塞尚、保罗-高更和文森特-凡高在整个欧洲艺术中发挥的影响作用。在承认巴黎作为文化之都的中心地位的同时，它还将独特地强调欧洲其他艺术发酵中心，从布鲁塞尔和巴塞罗那到柏林和维也纳，并追踪二十世纪初进入现代主义的各种途径。

这本图文并茂的目录将包含四篇文章，对每个发酵城市的介绍和艺术家的传记。

由国家画廊全球出版/耶鲁大学出版社发行

Through the 1880s the very essence of representation, meaning and process in Western art were profoundly interrogated. Plausible representations of the external world were cast aside in favour of non-naturalism expressed in varying degrees, from modest distortions of reality to pure abstraction.

The decades that followed, up to the outbreak of the First World War in 1914, were a complex, vibrant period of artistic questioning, searching, risk-taking and innovation. Concentrating on this period of great upheaval, this book will explore the constructive dialogue between painting and sculpture, and the influential roles played by three giants of the era, Paul Cézanne, Paul Gauguin and Vincent van Gogh, across European art as a whole. While acknowledging the centrality of Paris as a cultural capital, it will also uniquely highlight other centres of artistic ferment in Europe, from Brussels and Barcelona to Berlin and Vienna, and track the variety of routes into modernism in the early twentieth century.

This fully illustrated catalogue will contain four essays, introductions to each city of ferment and biographies of the artists.

Published by National Gallery Global/Distributed by Yale University Press