书名：Erwin Wurm: Dissolution / 欧文·沃姆：消解
定价：240.0
ISBN：9783897906372
作者：Christoph Thun-Hohenstein , Rainald Franz , B?rbel Vischer
版次：1
出版时间：2021-01

内容提要：

题 目：Erwin Wurm: Dissolution / 欧文·沃姆：消解

作 者：Christoph Thun-Hohenstein, Rainald Franz, B?rbel Vischer

出 版：Arnoldsche，2021

装 帧：平装，64页

语 种：英文，德文

尺 寸：19.8*617.5px

 

 

埃文·沃姆：溶解展览聚焦于陶瓷制成的姿态雕塑。沃姆那些游走于瞬态与实体之间的人形陶瓷雕塑，以表演性姿态为特征。它们印证了黏土材料固有的可塑性，令人联想到自文艺复兴以来艺术家用以直接表达内心创见的小稿模型的强大表现力。

在《溶解》（2018-2020）系列中，沃姆开启了对不可完全掌控的创作过程的探索。"溶解"蕴含着崩解、腐朽、分解与边界消逝的深层寓意。这些雕塑——带着突伸的手指、手掌、嘴唇、口腔、乳房、腹部、鼻梁与耳廓——从黏土团块中奋力挣脱而出。

 

Gestural sculptures formed in ceramics are the focus of Erwin Wurm: Dissolution. Wurm’s anthropomorphic ceramic sculptures, their forms oscillating between the ephemeral and the physical, are characterized by performative gestures. They affirm the inherent plasticity of the material clay, recalling the potency of bozzetti, in which artists from the Renaissance onwards were able to give direct expression to their innermost creative ideas.

In Dissolution (2018–2020), Wurm sets out in search of a creative process that cannot be completely controlled. “Dissolution” has connotations of disintegration, decay, decomposition, and vanishing boundaries. The sculptures—with their protruding fingers, hands, lips, mouths, breasts, bellies, noses, and ears—force their way out of a clayey mass.