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Collins柯林斯 英文原版 The Giver Boxed Set 记忆传授人系列四册套装 洛伊丝·劳里 英文版 进口英语原版书籍

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Collins柯林斯 英文原版 The Giver Boxed Set 记忆传授人系列四册套装 洛伊丝·劳里 英文版 进口英语原版书籍 商品图0
Collins柯林斯 英文原版 The Giver Boxed Set 记忆传授人系列四册套装 洛伊丝·劳里 英文版 进口英语原版书籍 商品缩略图0

商品详情


书名:The Giver Boxed Set

作者:Lois Lowry

出版社名称:HarperCollins

出版时间:2014年11月

语种:英语

ISBN:9780008113490

商品尺寸:198 x 129 mm

装帧:平装

页数:1000(以实物为准)

页面参数仅供参考,具体以实物为准


THE GIVER is soon to be a major motion picture starring Jeff Bridges, Katie Holmes and Taylor Swift.

Now available for the first time in the UK, THE GIVER QUARTET is the complete four-novel collection.

THE GIVER: It is the future. There is no war, no hunger, no pain. No one in the community wants for anything. Everything needed is provided. And at twelve years old, each member of the community has their profession carefully chosen for them by the Committee of Elders.

Jonas has never thought there was anything wrong with his world. But from the moment he is selected as the Receiver of Memory, Jonas discovers that their community is not as perfect as it seems…

GATHERING BLUE is a return to the mysterious but plausible future world of THE GIVER. It tells the story of Kira, orphaned, physically flawed, and left with an uncertain future until she is summoned by the Council of Guardians. On her quest for truth that follows, Kira makes discoveries that will change her life and world forever.

In MESSENGER, Matty has lived in Village and flourished under the guidance of Seer, a blind man known for his special sight. His community once welcomed newcomers, but something sinister has seeped into Village and the people have voted to close its borders to outsiders. Now Matty must risk everything to make one last journey through the treacherous forest…

SON is the thrilling conclusion to THE GIVER QUARTET. When ‘Water Claire’ washed up on their shore, no one knew that she came from a society where emotions don’t exist. That she had become a Vessel. That she had carried a Product. That it had been stolen from her body.

Claire’s son is out there, a young boy now. And she will stop at nothing to find her child, even if it means making an unimaginable sacrifice.

Award-winning author Lois Lowry challenges readers to imagine what our world could become, how people could evolve and what could be considered valuable in this fascinating quartet of dystopian novels – now available as a four-book set.


Lois Lowry is known for her versatility and invention as a writer. She was born in Hawaii and grew up in New York, Pennsylvania, and Japan. After studying at Brown University, she married, started a family, and turned her attention to writing. She is the author of more than forty books for young adults, including the popular Anastasia Krupnik series. She has received countless honors, among them the Boston Globe-Horn Book Award, the Dorothy Canfield Fisher Award, the California Young Reader's Medal, and the Mark Twain Award. She received Newbery Medals for two of her novels, NUMBER THE STARS and THE GIVER. Her first novel, A SUMMER TO DIE, was awarded the International Reading Association's Children's Book Award. Several books have been adapted to film and stage, and THE GIVER has become an opera. Her newest book, ON THE HORIZON, is a collection of memories and images from Pearl Harbor, Hiroshima, and post-war Japan. A mother and grandmother, Ms. Lowry divides her time between Maine and Florida. To learn more about Lois Lowry, see her website at www.loislowry.com

author interview

A CONVERSATION WITH LOIS LOWRY ABOUT THE GIVER

Q. When did you know you wanted to become a writer?

A. I cannot remember ever not wanting to be a writer.

Q. What inspired you to write The Giver?

A. Kids always ask what inspired me to write a particular book or how did I get an idea for a particular book, and often it’s very easy to answer that because books like the Anastasia books come from a specific thing; some little event triggers an idea. And some, like Number the Stars, rely on real history. But a book like The Giver is a much more complicated book, and therefore it comes from much more complicated places—and many of them are probably things that I don’t even recognize myself anymore, if I ever did. So it’s not an easy question to answer.

I will say that the whole concept of memory is one that interests me a great deal. I’m not sure why that is, but I’ve always been fascinated by the thought of what memory is and what it does and how it works and what we learn from it. And so I think probably that interest of my own and that particular subject was the origin, one of many, of The Giver.

Q. How did you decide what Jonas should take on his journey?

A. Why does Jonas take what he does on his journey? He doesn’t have much time when he sets out. He originally plans to make the trip farther along in time, and he plans to prepare for it better. But then, because of circumstances, he has to set out in a very hasty fashion. So what he chooses is out of necessity. He takes food because he needs to survive. He takes the bicycle because he needs to hurry and the bike is faster than legs. And he takes the baby because he is going out to create a future. Babies—and children—always represent the future. Jonas takes the baby, Gabriel, because he loves him and wants to save him, but he takes the baby also in order to begin again with a new life.

Q. When you wrote the ending, were you afraid some readers would want more details or did you want to leave the ending open to individual interpretation?

A. Many kids want a more specific ending to The Giver. Some write, or ask me when they see me, to spell it out exactly. And I don’t do that. And the reason is because The Giver is many things to many different people. People bring to it their own complicated beliefs and hopes and dreams and fears and all of that. So I don’t want to put my own feelings into it, my own beliefs, and ruin that for people who create their own endings in their minds.

Q. Is it an optimistic ending? Does Jonas survive?

A. I will say that I find it an optimistic ending. How could it not be an optimistic ending, a happy ending, when that house is there with its lights on and music is playing? So I’m always kind of surprised and disappointed when some people tell me that they think the boy and the baby just die. I don’t think they die. What form their new life takes is something I like people to figure out for themselves. And each person will give it a different ending. I think they’re out there somewhere and I think that their life has changed and their life is happy, and I would like to think that’s true for the people they left behind as well.

Q. In what way is your book Gathering Blue a companion to The Giver?

A. Gathering Blue postulates a world of the future, as The Giver does. I simply created a different kind of world, one that had regressed instead of leaping forward technologically as the world of The Giver has. It was fascinating to explore the savagery of such a world. I began to feel that maybe it coexisted with Jonas’s world . . . and that therefore Jonas could be a part of it in a tangential way. So there is a reference to a boy with light eyes at the end of Gathering Blue. Originally I thought he could be either Jonas or not, as the reader chose. But since then I have published two more books—Messenger, and Son—which complete The Giver Quartet and make clear that the light-eyed boy is, indeed. Jonas. In the book Son readers will find out what became of all their favorite characters: Jonas, Gabe, and Kira as well, from Gathering Blue. And there are some new characters—most especially Claire, who is fourteen at the beginning of Son— whom I hope they will grow to love.


 

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