目录

●导论 “时间” 与 “物”：探索一部 “有限的总体史” 李军
Introduction “Time” and “Matter”: An Approach to a “Limited Total History” Jun Li
方法论视野 Methodological Perspective
艺术史的深时：人与非人的叙事 王玉冬
Art History’s Deep Time: A Human and Inhuman Narrative Yudong Wang
二重证据法考原 朱渊清
An Investigation into the Dual-Evidential Method Yuanqing Zhu
世界之于中国 China through a Global Perspective
《湖天春色图》与《野墅平林图》再议
—— 吴历与澳门和西画的隐秘联系 李军
Re-examining Spring Comes to the Lake and Rustic Hut and Level Grove: Wu Li’s Forgotten Connections with Macao and Western Painting Jun Li
从女神到 “化生”—— 摩尼教法服中纹章形象的来源新诠与在地演绎 张鹏
From Goddess to Upapāduka: New Sources and Localised Interpretation of Heraldic Images in Manichaean Vestments Peng Zhang
印华美术协会：跨文化的美术家及其作品意义的流变性 李伊晴
Indonesian-Chinese Art Association: Transnational Artists and the Fluid Meaning of Their Artworks Yiqing Li
东方之于西方 The Significance of the East to the West
文化交织与知识流转：16 世纪意大利纺织图册研究 李思慧
Interlaced Culture and Flowing Knowledge: A Study of 16th Century Italian Textile Pattern Books Sihui Li
工匠的野心：荷兰代尔夫特黑釉彩陶及其跨材质互动 刘夏凌
The Ambitions of Craftsmen: A Study of Black Delft Ceramics from the Late 17th Century to the Early 18th Century in the Netherlands and its Trans-materiality Xialing Liu
房间的 “性别”——18 世纪伦敦希尔街 23 号中国风更衣室研究 董文舆
The “Gender” of a Room: A Study of the Chinoiserie Dressing Room (c. 1766–1767) at 23 Hill Street, London Wenyu Dong
扇子中的印象派：德加扇面画研究 柴奕
Impressionism in fans: Study on Degas’s fan paintings Yi Chai
从祭祖到礼佛：以博古图像为中心窥泰国寺庙中的潮州趣味 李晓璐
From Ancestral Worship to Buddhist Veneration: Tracing Teochew Taste in Thai Temples through Bogu Images Xiaolu Li
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