书名：Anthony Cragg: Sculpture 2001–2017: Volume IV / 安东尼·克拉格：2001至2017年的雕塑：第4卷

作者：Demosthenes Davvetas，Patrick Elliott，Catherine Grenier，Jon Wood

出版：Walther K?nig, K?ln，2019

装帧：精装，567页

尺寸：23.11×29.2×5.6 cm

语种：英文

本书记录了英国艺术家安东尼·克拉格 (生于1949年) 从2001到2017年的最新雕塑作品，通过大量图片聚焦了关键作品。书中按时间顺序引导读者了解克拉格最近作品的起源，并追溯它们之间的关系，同时也揭示了艺术家严苛的工作室实践。

克拉格自20世纪70年代起开始创作，并在20世纪80年代作为“英国新雕塑”一代的一部分成名以来，他的作品经历了许多变化，但始终保持着对作品材料品质的基本关注——无论是现成的物品、原材料还是像玻璃纤维这样的人造化合物。

本书是继《雕塑1969-1985年》和《雕塑1986-2000年》之后的又一部著作。它收录了由德摩西尼斯·达维塔斯(Demosthenes Davvetas)、帕特里克·艾略特(Patrick Elliott)、凯瑟琳·格雷尼尔(Catherine Grenier) 和乔恩·伍德 (Jon Wood) 撰写的文章，读者将对克拉格的作品有了新的认识。

The fourth volume in the series documenting the sculpture of British artist Anthony Cragg (born 1949) covers his most recent sculptural oeuvre from 2001 to 2017, highlighting key bodies of work through an extensive selection of images. Guiding the reader chronologically through the genesis of Cragg’s most recent works and tracing the relationships between them, it also reveals the artist’s rigorous studio practice.

Since Cragg began working in the 1970s and came to fame in the 1980s as part of the New British Sculpture generation, his work has undergone a number of permutations while consistently remaining motivated by a fundamental concern with the qualities of his materials―whether they be found objects, raw materials or manufactured compounds like fiberglass.

Sculpture 2001–2017 follows Sculpture 1969–1985 and Sculpture 1986–2000. It includes essays by Demosthenes Davvetas, Patrick Elliott, Catherine Grenier and Jon Wood that shed new light on Cragg’s work.