Joan Mitchell: Paintings

琼·米切尔 绘画 1979·1985 年

●产品信息——

出版社 ‏ : ‎ David Zwirner Books (2024年 9月 3日)

语言 ‏ : ‎ 英语

精装 ‏ : ‎ 104页

ISBN-10 ‏ : ‎ 1644231182

ISBN-13 ‏ : ‎ 978-1644231180

商品重量 ‏ : ‎ 1.05 Kilograms

尺寸 ‏ : ‎ 23.5 x 1.52 x 31.75 cm

页面参数仅供参考，具体以实物为准

●内容简介——

研究琼-米切尔强大而充满活力的作品——本书展示了这些作品

“2022年的展览之一......米切尔，当时 50 多岁，在笔触的汇聚上达到了很好的状态，闪烁和燃烧的笔触就像火上的光环"。杰里·萨尔茨，《纽约》杂志

这本备受期待的出版物聚焦于 1979 年至 1985 年——这是琼·米切尔长达数十年的艺术生涯中重要而深刻的时期。米切尔在法国韦瑟伊（Vétheuil）的庄园里更加全身心地投入到日常生活中——周围是郁郁葱葱的花园，新的创作关系给她带来了挑战和灵感--她的工作室实践蓬勃发展，她的作品也变得更加雄心勃勃、更加广阔。这一时期的作品采用了越来越大胆的色调，充分体现了米切尔对构图、比例和色彩的细致入微的驾驭能力。除了她的大型抽象作品外，本出版物还收录了大量小型绘画作品和部分档案资料。

书中还收录了几篇与插图作品相辅相成的文字。畅销书作家朱莉-大塚（Julie Otsuka）撰写了一篇新文章，回忆了她多年来与米切尔绘画作品的邂逅。文中收录了米切尔与法国哲学家伊夫-米肖 1986 年的一段精彩对话。艺术家 Shinique Smith 和 Lily Stockman 的思考分别探讨了米切尔作品或创作实践中的一个独特部分，突显了米切尔对当今艺术家的持续影响。

Discover Joan Mitchell’s powerful and dynamic work—spotlighted in this book as never before

“An entry for one of the best shows of 2022. . . . Mitchell, then in her 50s, reaches peak form in gathering brushstrokes that flicker and burn like auras on fire.” —Jerry Saltz, New York magazine

This highly anticipated publication focuses on the years 1979 to 1985—a significant and deeply generative period within Joan Mitchell’s decades-long career. As Mitchell became even more fully immersed in daily life at her property in Vétheuil, France—surrounded by lush gardens, and challenged and inspired by new creative relationships—her studio practice flourished and her work became even more ambitious and expansive. Executed in an increasingly bold palette, the works from this period exemplify Mitchell’s nuanced mastery of composition, scale, and color. In addition to her large-scale abstract works, this publication features numerous smaller paintings and a selection of archival materials.

Included in the book are several texts that complement the illustrated works. A new essay by the bestselling author Julie Otsuka recollects her encounters with Mitchell’s paintings over the years. A fascinating conversation between Mitchell and the French philosopher Yves Michaud from 1986 is featured. Reflections by the artists Shinique Smith and Lily Stockman each explore a unique component of Mitchell’s oeuvre or practice, underscoring Mitchell’s continued influence on artists today.