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书名: 摄影构图 迅速提升照片水平的150个关键技法
ISBN: 9787115427229
作者:上田晃司 河野鉄平 杉本恭子 種清豊,中川文作 並木隆
定价:¥59.00
开本: 16
出版时间:2016-08-01 00:00:00
内容提要:本书是众多摄影专业人士的构图经验总结,通过引导读者考虑构图方式来挖掘其拍摄动机,并从相机的表现方法、构图、活用案例这三个方面培养读者的构图意识,树立个人的作品风格,拍摄出新颖、独特的照片。书中不仅介绍了常规的点、线、面、图形等构图元素,还讲述了如何将各个元素融合运用以获得绝美摄影作品的方法。除了基本技法的介绍外,书中还精选了风光、人像、街拍、动物、静物领域的150个实战案例,详尽讲述了构图在不同场景和主题中的应用。 本书适合摄影爱好者,尤其是在构图方面遇到瓶颈的摄影爱好者参考阅读,对于有一定经验的摄影师,本书也同样适用。
上田晃司(うえだ·こうじ):留学美国旧金山学习摄影及摄像的同时,参与过电视节目、CM和视频的制作。回国后担任摄影家塙真一的助手,后作为自由摄影师出道。以为杂志撰稿、拍摄广告照片为主。将在世界各地拍摄作为毕生事业。近年还举办演讲并开始著书。Nikon College讲师。 河野铁平(こうの·てっぺい):1976年出生于东京。明治学院大学毕业后,师从摄影师TERAUCHI MASATO。参与写真杂志《PHaT PHOTO》的创刊。2003年独立工作。著作有《享受相机和摄影的最佳教科书》(MdN)、《时尚照片的拍摄教程》(玄光社MOOK)等。 杉本恭子(すぎもと·きょうこ):出生于东京,原来在大型IT企业担任系统工程师,之后师从摄影家竹内敏信。作品入选很多摄影比赛,经常被报纸和杂志采用。近年的著作有《我的摄影入门》(文艺社Visual Art)。最近在东京和名古屋多次开办摄影教室和摄影交流会。日本摄影师协会会员。日本摄影协会会员。日本摄影治愈法协会理事。 种清丰(たねきよ·ゆたか):1982 年出生于大阪。从京都产业大学外国语学部德语专业毕业后,师从摄影家竹内敏信。担任了3年助手后,2007 年开始作为自由摄影师出道。在写真教室授课以及进行商品摄影、在专业摄影杂志、网络上刊登照片有关的文章。Canon EOS 学园讲师。NPO法人 PCC俱乐部讲师。日本摄影学院讲师。 中川文作(なかがわ· ぶんさく):1983 年出生于茨城县。东京摄影学园毕业后,在Studio 60 工作。辞职后担任摄影师中岛繁树的助手,2008 年作为自由摄影师出道。杂志、广告、人物摄影为主,在很多领域都非常活跃。 並木隆(なみき· たかし):1971 年出生于东京。高中在校时结识摄影家丸林正则。从东京摄影专业学园(现:东京Visual Art’s)退学后,成为自由摄影师。现在为很多杂志供稿,并且在Canon EOS学园等很多摄影教室中担任讲师。主要是以花为主题进行创作。日本自然科学摄影协会会员、日本摄影家协会会员。
32个摄影构图基本技法,150个摄影构图实战技巧,给你不一样的摄影构图领悟,拍出绝美的摄影作品!Part 1
构图基础知识················ 11
[INTRO 1]
考虑如何构图················ 12
[INTRO 2]
考虑构图方式················14
[STEP 1]
相机的表现方法
1 横拍/ 竖拍················ 15
2 水平拍摄/ 倾斜拍摄············17
3 聚焦拍摄/ 全景拍摄············ 18
4 从高位进行拍摄/ 从低位进行拍摄······ 19
5 变换角度进行拍摄············· 20
6 带有构图意识地使用三脚架·········· 21
7 更换镜头进行拍摄·············· 22
8 改变光圈进行拍摄·············· 24
9 调整快门速度进行拍摄············ 26
[STEP 2]
构图
1 考虑照片主次·················28
2 加法法则···················30
3 减法法则···················32
4 四角构图法则·················34
5 色彩法则···················36
6 考虑视线···················38
[STEP 3]
活用范例
1 活用构图范例··················42
2 三分构图法···················43
3 二分构图法···················44
4 对角线构图···················44
5 圆心构图····················45
6 山型构图····················45
7 垂直水平构图··················46
8 斜线构图····················46
9 对称构图····················47
10 对比构图···················47
11 曲线构图····················48
12 放射线构图···················48
13 三角形构图···················49
14 框架式构图···················49
15 重复构图····················50
16 点构图·····················50
17 组合使用构图元素················51
[实践篇] 摄影师的观点 构图流程 ①········52
[实践篇]摄影师的观点 构图流程 ②········54
专栏 纵横比与拍摄方法的不同············56
Part 2
构图技巧实战···················· 57
[Nature]
自然风光
1 使用放射线构图,强调樱花枝头垂落的震撼感·············· 58
2 通过重复构图法表现散落的樱花瓣··················· 59
3 通过对比构图发现变化,引发想象···················59
4 使用前景散景,形成框架式构图,突出主题··············· 60
5 通过焦点和颜色两次把画面分割,突出花丛的华丽············61
6 通过二分法构图塑造美感,突出主体·················· 61
7 通过曲线表现花朵的美丽·······················62
8 通过前景散景演绎出花海的感觉····················63
9 通过改变向日葵花田的面积改变给人的印象···············63
10 大胆截取山的局部,使湖面变得生动·················64
11 将山以三角形配置,营造出稳定感··················65
12 灵活截取堤坝的部分曲线,营造出不可思议的空间感··········65
13 使用三分法构图,明确主题······················66
14 通过对比荚状云和树木的剪影,营造出距离感··············67
15 通过对称构图表现宇宙般的氛围·····················67
16 通过二分法和三分法构图诠释大海的要素················· 68
17 把水平面放在三分法参考线下部,表现出天空的高远·············69
18 灵活利用海岸线的曲线,强调壮丽雄伟···················69
19 通过对角线构图表现山岳风光的动感····················70
20 通过V型构图进一步强调山峰的存在感····················71
21 使用三分法构图表现宏大风景的层次感···················71
22 通过山型构图的稳定感刻画瀑布的魄力···················72
23 通过流水的曲线表现溪流的清凉感·····················73
24 使用斜线构图形成对比,表现出水的流动··················73
25 利用放射线构图捕捉枝繁叶茂的场景····················74
26 通过山型构图使木质建筑物和红叶形成对比·················75
27 灵活使用重复和曲线构图表达落叶之美···················75
28 通过对角线构图突出主角的存在感·····················76
29 通过将叶片的排列组成图案产生规律感···················77
30 通过相反的颜色进一步突出红叶的色调···················77
31 利用三分法构图拍摄夕阳美景·······················78
32 使用山型构图将只有天空和树木的风景变得鲜明···············79
33 巧妙地利用点缀反衬云彩的壮美······················79
34 利用冰瀑的动感姿态营造出规律感·····················80
35 使用垂直构图,精确对焦拍摄冰棱的黑白世界················81
36 通过斜线和重复构图表现冬季田埂的广袤··················81
37 通过对角线和三分法构图营造动与静····················82
38 从低角度拍摄使雪花如同波浪一般 ····················83
39 通过三角形构图拍摄河流,表现两岸的宽广·················83
40 用广角镜头和放射线构图强调光影的延伸··················84
41 去掉多余元素,强调影子的存在感·····················85
42 通过三分法构图营造曲线稳定之美·····················85
43 使用山型构图让引导视线在山脊中移动···················86
44 通过二分法构图进一步强调雪景的壮美···················87
45 使用二分法构图引导视线至主角······················87
[Animal]
动物
46 利用斜线引导视线····························88
47 使用广角镜头表现出猫咪独特的柔美····················89
48 用好圆心构图法,活用背景························89
49 使用二分法构图强调猫咪的睡姿······················90
50 使用二分法构图突出身体的局部······················91
51 适当模糊周围刻画热闹市场中的猫咪····················91
52 使用放射线构图强调狗的存在·······················92
53 使用二分法和三分法构图表现出环境的美好·················93
54 使用二分法构图同时刻画主角和背景····················93
55 使用对角线构图和前景散景来强调蝴蝶···················94
56 在拍摄物体面对的方向留下空间,营造出展翅欲飞的效果·······················95
57 使用对角线构图中的动线营造动感································95
58 注意四个角落的空间,表现出动物的气势·····························96
59 通过树叶和猫头鹰的对比演绎出隐藏在茂密林间的风光·······················97
60 截取身体线条凸显出横纹的美好·································97
61 模糊背景,使用三分法构图突出主角·······························98
62 通过圆心构图和框架式构图突出面部特征·····························99
63 截取身体线条表现凶猛气势···································99
64 通过稳定头部曲线展现优雅···································100
65 通过山型构图展现出羽毛的舒展·································101
66 留意企鹅脸部的位置并留出空间·································101
67 通过圆心构图和对比构图表达出鲨鱼的巨大····························102
68 水母重复出现营造出如梦如幻的空间·······························103
69 通过圆心构图和黑白色调强调鲨鱼的造型·····························103
70 通过三分法和二分法构图使风景更加稳定·····························104
71 羊群重复出现引导视线向远处移动································105
72 使用圆心构图配合背景演绎出不可思议的空间感··························105
[Portrait]
人物
73 使用广角镜头对比牛和小孩···································106
74 使用框架式构图进一步强调女孩的表情·····························&mi
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