题 目：Michelangelo and Beyond / 米开朗基罗及其之后

作 者：Eva Michel

出 版：Prestel ，2023

装 帧：精装，264 页

尺 寸：24.5*28.5 cm

这本展览目录记录了西方世界人物画的演变历程，始于米开朗基罗，并探讨了他对同时代艺术家及后世产生的巨大影响。

米开朗基罗的L体画以其对英雄形象的描绘而闻名。他的作品展现出非凡的力量感、宏伟气势以及强烈的情感，其L体画成为了数世纪人物画的典范。本书通过引人入胜的文本和光彩夺目的绘画、版画及雕塑复制品，探讨了这一理想的传承。除了米开朗基罗的关键作品——包括为西斯廷教堂创作的画作、未完成的《卡辛那之战》壁画以及教皇尤利乌斯二世的陵墓设计——读者还将发现拉斐尔、丢勒、伦勃朗、鲁本斯、克里姆特和席勒的作品。

每一章节都突出了米开朗基罗人体理想的一个重要方面，并研究了他的同时代艺术家及后世艺术家如何受到其影响并进行了改编。书中探讨了诸如亚当与夏娃、十字架上的耶稣与圣母怜子像等题材，以及源自神话的母题如赫拉克勒斯的功绩；米开朗基罗的技法如何在17世纪至19世纪的艺术学校中被传授；女性作为主题的兴起；以及在现代主义时期理想化人体形象的衰落。这些并列的对比提供了丰富的见解，展示了艺术家们如何描绘人体——既作为美德与英雄主义的典范，又作为邪恶与脆弱的载体。这些文本和范例共同为学习人体形态和西方艺术史的学生提供了完美的资源。

This exhibition catalog charts the evolution of figure drawing in the western world, starting with Michelangelo, and explores his enormous influence over his contemporaries and later generations.

Michelangelo’s nude drawings are celebrated for their depiction of the heroic figure. Emanating exceptional strength, monumentality, and vigorous emotions, his nudes became the standard bearers for centuries of figure drawing. This book examines the legacy of that ideal, through highly engaging texts and luminous reproductions of drawings, prints, and sculptures. In addition to key works by Michelangelo—including drawings for the Sistine Chapel, the unfinished fresco of the Battle of Cascina, and the tomb of Pope Julius II—readers will discover works by Raphael, Dürer, Rembrandt, Rubens, Klimt, and Schiele.

Each chapter highlights a significant aspect of Michelangelo’s ideal of the human body and investigates its influence and adaptation by his contemporaries and subsequent artists. Topics such as depictions of Adam and Eve, the Crucifixion and the Pietà, and motifs from mythology such as the Labors of Hercules; how Michelangelo’s methods were taught in art schools from the 17th to the 19th century; the emergence of woman as subject; and the decline of the idealized human figure during modernism. These side-by-side comparisons provide generous insights into how artists portrayed the human body—as a model of virtue and heroism, and as a conveyor of vice and fragility. Together these texts and examples provide the perfect resource for students of the human form and of the history of western art.