Negative Space

负空间

●产品信息——

出版社 ‏ : ‎ The MIT Press (2021年12月28日)

语言 ‏ : ‎ 英语

精装 ‏ : ‎ 704页

ISBN-10 ‏ : ‎ 0262044862

ISBN-13 ‏ : ‎ 978-0262044868

商品重量 ‏ : ‎ 4.04 kilograms

尺寸 ‏ : ‎ 25.4 x 7.32 x 30.63 cm

页面信息仅供参考，具体以实物为准

●内容简介——

这是一个关于现代雕塑的大胆的新的空间视角，有800张彩色图片，艺术家包括亨利-摩尔、利吉亚-克拉克、阿尼什-卡普尔和安娜-门迭塔。

这本来自ZKM-卡尔斯鲁厄的巨著，图文并茂，从空间角度探讨现代雕塑，通过轮廓、空虚和悬浮来解释，而不是传统的不间断的体积、质量和重力的类别。它研究了几十位20世纪和21世纪艺术家的作品，包括汉斯-阿尔普、马塞尔-杜尚、亨利-摩尔、芭芭拉-赫普沃斯、莉吉娅-克拉克、阿尼什-卡普尔、奥拉维尔-埃利亚松、安娜-门迭塔、藤子-中谷、托马斯-萨拉切诺和阿丽夏-奎德。这本大型书籍包含800多张彩色图片。

《负空间》是在ZKM举办的一个史诗般的展览中产生的，卷的编辑Peter Weibel（ZKM的主席和CEO）对这个主题采取了一种策展方式。上一次处理 "什么是现代雕塑 "这一问题的展览是1986年在蓬皮杜中心举办的。Weibel和ZKM继续蓬皮杜的工作，不把雕塑作为具象的、坚实的、自成一体的单体，而是从开放和空洞的空间、反射、光、影、创新材料、数据和移动图像等方面进行研究。韦伯将科学、建筑和数学的进步的感觉结合起来，展示了现代雕塑是如何与过去的作品明显不同的。该卷的文本包括导言和12个由魏贝尔撰写的章节，以及共同策划人的贡献，还有艺术家撰写的宣言的传真和复制品。

A bold new spatial perspective on modern sculpture, with 800 color images of work by artists including Henry Moore, Lygia Clark, Anish Kapoor, and Ana Mendieta.

This monumental, richly illustrated volume from ZKM | Karlsruhe approaches modern sculpture from a spatial perspective, interpreting it though contour, emptiness, and levitation rather than the conventional categories of unbroken volume, mass, and gravity. It examines works by dozens of twentieth- and twenty-first-century artists, including Hans Arp, Marcel Duchamp, Henry Moore, Barbara Hepworth, Lygia Clark, Anish Kapoor, Olafur Eliasson, Ana Mendieta, Fujiko Nakaya, Tomás Saraceno, and Alicja Kwade. The large-scale book contains over 800 color images.

Negative Space comes out of an epic exhibition at ZKM, and volume editor Peter Weibel (Chairman and CEO of ZKM) takes a curatorial approach to the topic. The last exhibition to deal comprehensively with the question “What is modern sculpture?” was at the Centre Georges Pompidou in 1986. Weibel and ZKM pick up where the Pompidou left off, examining sculptures not as figurative, solid, and self-contained monoliths but in terms of open and hollow spaces; reflection, light, shadow; innovative materials; data; and the moving image. Weibel puts advances in science, architecture, and mathematics in the context of avant-garde sensibilities to show how modern sculpture significantly deviates from the work of the past. Texts in the volume include an introduction and twelve chapters written by Weibel with contributions by cocurators as well as facsimiles and reproductions of artist-authored manifestos.