题 目：Sumi-e: The Iconography of Japan / 水墨画：日本的图像符号与象征

作 者：Nobuyoshi Hamada

出 版：PIE International，2025

装 帧：平装，216页

语 种：日文，英文

尺 寸：14.8*21 cm

日本墨绘之巅，自雪舟、等伯等巨匠，至萧白、若冲等奇想画家，皆在其中。

水墨画是一种独特的东方绘画形式，起源于9世纪的中国并在此发展成熟。本书追溯了墨绘约五百年的历史脉络：始于镰仓·南北朝时代——水墨画初传东瀛的萌芽期；历经室町时代——雪舟与周文等画坛巨擘活跃的鼎盛期；最终至桃山·江户时代——和风审美催生独特杰作的转型期。

本书通过精选作品勾勒五百年水墨艺术演进轨迹，深入剖析日本水墨画的独特美学特质，探讨其在日本艺术史中的核心地位，并审视其对日本文化史产生的深远影响。

The pinnacle of Japanese sumi-e painting, from great masters such as Sesshū and Tohaku to fantastical painters such as Shoūhaku and Jakuchū.

Sumi-e ink painting is a uniquely Eastern form of painting that originated and developed in China in the 9th century. This book introduces the history of sumi-e painting over a period of approximately 500 years, beginning with the Kamakura and Namboku-cho periods when the form was first being adopted in Japan , and then the Muromachi period when Sesshū and Shūbun were active, and finally the Momoyama and Edo periods when Japanese influences led to the creation of unique works.

This book introduces five centuries of ink wash painting through these works, exploring the distinctive qualities of Japanese ink wash painting and considering the role it has played in the history of art in Japan and its significance in the history of Japanese culture.